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Table of Contents
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1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford
i. 'The Thing Perceived and Herself Perceiving': The Double Impression
ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End
iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light'
2. Visual Metaphors: Dorothy Richardson and H.D.
i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D.
ii. Weaving Cinematic Form: H.D. and Dorothy Richardson
3. Coming to Writing: Dorothy Richardson and May Sinclair
4. Memory and Vision
Bibliography
Index.
1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford
i. 'The Thing Perceived and Herself Perceiving': The Double Impression
ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End
iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light'
2. Visual Metaphors: Dorothy Richardson and H.D.
i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D.
ii. Weaving Cinematic Form: H.D. and Dorothy Richardson
3. Coming to Writing: Dorothy Richardson and May Sinclair
4. Memory and Vision
Bibliography
Index.