Introduction / Matthew Reason and Anja Mølle Lindelof
Audiencing.
Coming (a)live: a prolegomenon to any future research on "liveness" / Martin Barker
Orange dogs and memory responses: creativity in spectating and remembering / Katja Hilevaara
Fandom, liveness and technology at Tori Amos music concerts: examining the movement of meaning within social media use / Lucy Bennett
Social and online experiences: shaping live listening expectation in classical music / Stephanie E. Pitts
The meaning of lived experience / Paddy Scannell
Affect and experience / Matthew Reason
Shorts. Live art, death threats: the theatrical antagonism of first night / Alexis Soloski
Attention as a tension: affective experience between performer and audience in the live encounter / Victoria Gray
Empathy and resonant relationships in performance art / Lynn Lu
Embodied traces: co-presence, kinaesthesia and bodily inscription / Imogene Newland
An experience of becoming: wearing a tail and Alpine walking / Catherine Bagnall
Sisters academy: radical live intervention into the educational system / Gary Worre Halberg
One-to-one performance: who's in charge? / Sarah Hogarth and Emma Bramley
A performatic archive / Kerrie Reading
Theatre of bone / Rebecca Schneider
Materialising. What is a live event? / Gary Peters
Improvising music experience: the eternal ex-temporisation of music made live / Steve Tromans
The place of performance: a critical historiography on the topos of time / Jonah Westerman
Objectifying liveness: labour, agency and the body in the 11 rooms exhibition / Lisa Newman
Reconsidering liveness in the age of digital implication / Eirini Nedelkopoulou
Environmental performance: framing time / Anja Mølle Lindelof, Ulrik Schmidt and Connie Svabo
Shorts. Three performances: a virtual (musical) improvisation / Mathias Maschat and Christopher Williams
Chronography / Craig Dworkin
Memory, time and self: a text work based on a conceptual performance / Paul Forte.