000789146 000__ 03604cam\a2200493Ki\4500 000789146 001__ 789146 000789146 005__ 20210515132022.0 000789146 006__ m\\\\\o\\d\\\\\\\\ 000789146 007__ cr\cn\nnnunnun 000789146 008__ 161116s2017\\\\enk\\\\\ob\\\\000\0\eng\d 000789146 019__ $$a966567808$$a966572561$$a967550255$$a967559478$$a967846913$$a970389529 000789146 020__ $$a9781317428480$$q(electronic book) 000789146 020__ $$a131742848X$$q(electronic book) 000789146 020__ $$z9781138914285 000789146 020__ $$z1138914282 000789146 020__ $$z9781138914292 000789146 020__ $$z1138914290 000789146 020__ $$z9781315690896$$q(electronic book) 000789146 035__ $$a(OCoLC)ocn962752600 000789146 035__ $$a(NhCcYBP)EBS1417349 000789146 035__ $$a789146 000789146 040__ $$aNhCcYBP$$beng$$cNhCcYBP 000789146 050_4 $$aPN1992.8.W65$$bT45 2017eb 000789146 08204 $$a791.45/6522$$223 000789146 24500 $$aTelevision for women :$$bnew directions /$$cedited by Rachel Moseley, Helen Wheatley and Helen Wood. 000789146 264_1 $$aLondon ;$$aNew York :$$bRoutledge,$$c2017. 000789146 300__ $$a1 online resource (xv, 266 pages) 000789146 336__ $$atext$$btxt$$2rdacontent 000789146 337__ $$acomputer$$bc$$2rdamedia 000789146 338__ $$aonline resource$$bcr$$2rdacarrier 000789146 504__ $$aIncludes bibliographical references. 000789146 5050_ $$gPt. I$$tWomen and work --$$g1.$$tWomen's history, women's work: popular television as feminine historiography /$$rMoya Luckett --$$g2. $t The feminisation of contemporary British television drama: Sally Wainwright and Red Production /$$rRuth McElroy --$$g3.$$t`Women pushed their way forward and became quite a force within the BBC': women's roles in television production and the production of programmes for women /$$rVanessa Jackson --$$gpt. II$$tWomen and identity --$$g4.$$tCatfight! Camp and queer visibility in Orange is the New Black /$$rDana A. Heller --$$g5.$$tBrown girls who don't need saving: social media and the role of `possessive investment' in The Mindy Project and The Good Wife /$$rSujata Moorti --$$g6.$$tWatching One Born Every Minute: negotiating the terms of the `good birth' /$$rSara De Benedictis --$$g7.$$tSex, class and consumerism: British sitcom's negotiation of the single girl /$$rVicky Ball --$$gpt. III$$tFormations of women's television --$$g8.$$tFeminist television or television for women? Revisiting the launch of Canada's Women's Television Network /$$rSarah A. Matheson --$$g9.$$tTradition and innovation: Italian women's channels, factual entertainment and the significance of generation in women's viewing preferences /$$rCecilia Penati and Anna Sfardini --$$g10.$$tProducing domestic abuse in Pakistani television: between commerce, ratings and social responsibility /$$rMunira Cheema --$$gpt. IV$$tWomen and the home --$$g11.$$tTelevision in the ideal home /$$rHelen Wheatley --$$g12.$$t`I've been having fantasies about Regan and Carter three times a week': television, women and desire /$$rHazel Collie --$$g13.$$tDreaming of the `good life': gender, mobility and anxiety in Wanted Down Under /$$rJilly Boyce Kay and Helen Wood. 000789146 506__ $$aAccess limited to authorized users 000789146 588__ $$aDescription based on print version record. 000789146 650_0 $$aWomen on television. 000789146 650_0 $$aWomen's television programs. 000789146 650_0 $$aTelevision and women$$xHistory. 000789146 7001_ $$aMoseley, Rachel,$$eeditor. 000789146 7001_ $$aWheatley, Helen,$$d1974-$$eeditor. 000789146 7001_ $$aWood, Helen,$$d1972-$$eeditor. 000789146 77608 $$iPrint version:$$tTelevision for women.$$dLondon ; New York : Routledge, 2017$$z9781138914285$$w(DLC) 2016021584 000789146 85280 $$bebk$$hEBSCOhost 000789146 85640 $$3eBooks on EBSCOhost$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1417349$$zOnline Access 000789146 909CO $$ooai:library.usi.edu:789146$$pGLOBAL_SET 000789146 980__ $$aEBOOK 000789146 980__ $$aBIB 000789146 982__ $$aEbook 000789146 983__ $$aOnline