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Introduction
Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes
Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes
Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine
Diaspora performances at Ubu Repertory Theater in New York
Recasting the Francophone Caribbean couple at Ubu Repertory Theater
Coda: creolizing knowledge in U.S. university performances.

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