000789503 000__ 02932cam\a2200565Ki\4500 000789503 001__ 789503 000789503 005__ 20210515132107.0 000789503 006__ m\\\\\o\\d\\\\\\\\ 000789503 007__ cr\cn\nnnunnun 000789503 008__ 170710s2017\\\\vau\\\\\ob\\\s001\0\eng\d 000789503 020__ $$a9780813940076$$q(electronic bk.) 000789503 020__ $$a0813940079$$q(electronic bk.) 000789503 020__ $$z0813940079 000789503 020__ $$z9780813940083 000789503 020__ $$z0813940087 000789503 020__ $$z9780813940090$$q(electronic book) 000789503 035__ $$a(NhCcYBP)EBC4903974 000789503 040__ $$aNhCcYBP$$cNhCcYBP 000789503 043__ $$acc----- 000789503 050_4 $$aPQ3943$$b.S24 2017 000789503 08204 $$a842/.91409928709729$$223 000789503 1001_ $$aSahakian, Emily,$$eauthor. 000789503 24510 $$aStaging creolization :$$bwomen's theater and performance from the French Caribbean /$$cEmily Sahakian. 000789503 24630 $$aWomen's theater and performance from the French Caribbean 000789503 264_1 $$aCharlottesville :$$bUniversity of Virginia Press,$$c2017. 000789503 300__ $$a1 online resource. 000789503 336__ $$atext$$btxt$$2rdacontent 000789503 337__ $$acomputer$$bc$$2rdamedia 000789503 338__ $$aonline resource$$bcr$$2rdacarrier 000789503 4900_ $$aNew world studie 000789503 504__ $$aIncludes bibliographical references and index. 000789503 5050_ $$aIntroduction -- Unsettling the gendered stereotypes of plantation culture: Ina Cesaire's Rosanie Soleil and Maryse Conde's Pension les Alizes -- Remixing unity and difference: Maryse Conde's An tan revolisyon, Ina Cesaire's Memoires d'isles and Gerty Dambury's Lettres indiennes -- Syncretizing performance and moral code: Ina Cesaire's L'enfant des passages and Simone Schwarz-Bart's Ton beau capitaine -- Diaspora performances at Ubu Repertory Theater in New York -- Recasting the Francophone Caribbean couple at Ubu Repertory Theater -- Coda: creolizing knowledge in U.S. university performances. 000789503 506__ $$aAccess limited to authorized users 000789503 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000789503 588__ $$aPrint version record. 000789503 60010 $$aCésaire, Ina$$xCriticism and interpretation. 000789503 60010 $$aCondé, Maryse$$xCriticism and interpretation. 000789503 60010 $$aDambury, Gerty$$xCriticism and interpretation. 000789503 60010 $$aSchwarz-Bart, Simone$$xCriticism and interpretation. 000789503 61020 $$aUbu Repertory Theater. 000789503 650_0 $$aCaribbean drama (French Creole)$$xHistory and criticism. 000789503 650_0 $$aCaribbean drama (French Creole)$$xWomen authors$$xHistory and criticism. 000789503 650_0 $$aTheater$$zCaribbean, French-speaking$$xHistory$$y20th century. 000789503 650_0 $$aWomen in literature. 000789503 650_0 $$aCultural fusion. 000789503 7102_ $$aProQuest (Firm) 000789503 77608 $$iPrint version:$$aSahakian, Emily.$$tStaging creolization.$$dCharlottesville : University of Virginia Press, 2017$$z9780813940076$$w(DLC) 2017001105 000789503 852__ $$bebk 000789503 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=4903974$$zOnline Access 000789503 909CO $$ooai:library.usi.edu:789503$$pGLOBAL_SET 000789503 980__ $$aEBOOK 000789503 980__ $$aBIB 000789503 982__ $$aEbook 000789503 983__ $$aOnline