000790212 000__ 01461cam\a2200421Ki\4500 000790212 001__ 790212 000790212 005__ 20230306143403.0 000790212 006__ m\\\\\o\\d\\\\\\\\ 000790212 007__ cr\un\nnnunnun 000790212 008__ 170705s2017\\\\sz\\\\\\ob\\\\001\0\eng\d 000790212 019__ $$a993065430 000790212 020__ $$a9783319523620$$q(electronic book) 000790212 020__ $$a3319523627$$q(electronic book) 000790212 020__ $$z3319523619 000790212 020__ $$z9783319523613 000790212 035__ $$aSP(OCoLC)ocn992780205 000790212 035__ $$aSP(OCoLC)992780205$$z(OCoLC)993065430 000790212 040__ $$aYDX$$beng$$cYDX$$dN$T$$dUAB 000790212 043__ $$ae-fr--- 000790212 049__ $$aISEA 000790212 050_4 $$aML2075 000790212 08204 $$a781.5/420944$$223 000790212 1001_ $$aPowrie, Phil. 000790212 24510 $$aMusic in contemporary French cinema :$$bthe crystal-song /$$cPhil Powrie. 000790212 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2017. 000790212 300__ $$a1 online resource. 000790212 336__ $$atext$$btxt$$2rdacontent 000790212 337__ $$acomputer$$bc$$2rdamedia 000790212 338__ $$aonline resource$$bcr$$2rdacarrier 000790212 504__ $$aIncludes bibliographical references and index. 000790212 506__ $$aAccess limited to authorized users. 000790212 650_0 $$aMotion picture music$$zFrance$$xHistory and criticism. 000790212 650_0 $$aPopular music$$zFrance$$xHistory and criticism. 000790212 77608 $$iPrint version:$$z3319523619$$z9783319523613$$w(OCoLC)966562617 000790212 852__ $$bebk 000790212 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-52362-0$$zOnline Access$$91397441.1 000790212 909CO $$ooai:library.usi.edu:790212$$pGLOBAL_SET 000790212 980__ $$aEBOOK 000790212 980__ $$aBIB 000790212 982__ $$aEbook 000790212 983__ $$aOnline 000790212 994__ $$a92$$bISE