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Yup'ik elders in museums: fieldwork turned on its head
The object in view: Aborigines, Melanesians, and museums
The Arts of the Sikh Kingdoms: collaborating with a community
Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian
Taking the photographs home: the recovery of a Mãori history
Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska
Snapshots on the dreaming: photographs of the past and present
How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology
Curating African Worlds
Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge
Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt
Glenbow's Blackfoot Gallery: working towards co-existence.
The object in view: Aborigines, Melanesians, and museums
The Arts of the Sikh Kingdoms: collaborating with a community
Integrating Native views into museum procedures: hope and practice at the National Museum of the American Indian
Taking the photographs home: the recovery of a Mãori history
Looking to see: reflections on visual repatriation in the Purari Delta, Gulf Province, Papua New Guinea, Remebering our namesakes: audience reactions to archival film of King Island, Alaska
Snapshots on the dreaming: photographs of the past and present
How to decorate a house: the renegotiaition of cultural representations at the University of British Columbia Museum of Anthropology
Curating African Worlds
Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge
Transforming archaeology through practice: strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt
Glenbow's Blackfoot Gallery: working towards co-existence.