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Introduction, The blood and bones of modernism
"There is a difference between prose and poetry" : the Russian Revolution in the Liberator
Our (?) country : mapping "these 'colored' United States" in the Messenger
"You can't go back, they'll cut your throat" : the failure of nostalgia in the Dial
The exodus of the Little review
"Beauty in our slaughter-fold" : the Gold-McKay Liberator
Conclusion, "So interesting and modern ... her gesticulating hands show her origin".

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