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Table of Contents
Machine generated contents note: Chapter One INVENTING BOMBAY CINEMA 1
Chapter Two MELODRAMATIC STAGING 35
Chapter Three THE TEXTS OF "MOTHER INDIA" 61
Chapter Four AUTEURSHIP AND THE LURE OF ROMANCE 89
Chapter Five THE ACTOR AS PARALLEL TEXT: AMITABH BACHCHAN 125
Chapter Six SEGMENTING/ANALYZING TWO FOUNDATIONAL TEXTS 157
Chapter Seven AFTER AYODHYA: THE SUBLIME OBJECT OF FUNDAMENTALISM 203
Chapter Eight BOMBAY CINEMA AND DIASPORIC DESIRE 235.
Chapter Two MELODRAMATIC STAGING 35
Chapter Three THE TEXTS OF "MOTHER INDIA" 61
Chapter Four AUTEURSHIP AND THE LURE OF ROMANCE 89
Chapter Five THE ACTOR AS PARALLEL TEXT: AMITABH BACHCHAN 125
Chapter Six SEGMENTING/ANALYZING TWO FOUNDATIONAL TEXTS 157
Chapter Seven AFTER AYODHYA: THE SUBLIME OBJECT OF FUNDAMENTALISM 203
Chapter Eight BOMBAY CINEMA AND DIASPORIC DESIRE 235.