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Analyzing the African origins of Negro music and dance in a time of racism, fascism, and war
Listening to Africa in the city, in the laboratory, and on record
Embodying Africa against racial oppression, ignorance, and colonialism
Disalienating movement and sound from the pathologies of freedom and time
Desiring Africa, or Western civilization's discontents
Conclusion: dance-music as rhizome.
Listening to Africa in the city, in the laboratory, and on record
Embodying Africa against racial oppression, ignorance, and colonialism
Disalienating movement and sound from the pathologies of freedom and time
Desiring Africa, or Western civilization's discontents
Conclusion: dance-music as rhizome.