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1. Introduction: science fiction at a crossroad between ethics and imagination
2. The perfect organism: the intruder of the Alien films as a bio-fictional construct
3. Science fiction at the far side of technology: Vernor Vinge's singularity thesis versus the limits of AI-research
4. A greenhouse on Mars
5. Fascinating! popular science communication and literary science fiction: the shared features of awe and fascination and their significance to ideas of science fictions as vehicles for critical debate about scientific enterprises and their ethical implications
6. Our serial (and parallel) selves: identity in the age of the transhuman
7. Commodified life: post-humanism, cloning and gender in Orphan Black
8. Religion in a world of androids and aliens: life and death in Ridley Scott's Blade Runner and Prometheus
9. I am Omega Man: religious repositioning of the secular apocalypse film in I Am Legend
10. From isolationism to globalism: an overview of politics and ethics in the Hollywood science fiction film
11. Reinventing utopia: politics and ethics of choice in the works of Kim Stanley Robinson
12. The final frontier: survival ethics in extreme living conditions as portrayed in Tom Godwin's The Cold Equations and Ridley Scott’s Alien
13. The politics of post-apocalypse: ideologies on trial in John Wyndham's The Day of the Triffids
14. On ustopias and finding courage in a hopeless situation.

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