Dedication; Preface; Note; Series Preface; Acknowledgments; Contents; List of Abbreviations; List of Figures; Part I: Steps Towards a Visual Psychological Anthropology; Chapter 1: Visual Psychological Anthropology: A Vignette and Prospectus; 1.1 The Multiple Afflictions of Gusti Ayu, ``The Bird Dancer;́́ 1.2 Ethnographic Film and Psychological Anthropology: Points of Connection and Disjuncture; 1.3 Visual Psychological Anthropology and Ethnography; 1.4 Making Films About Culture and Mental Illness: From Symptomatology Toward Lived Human Experience

1.4.1 Afflictions: A Person-Centered, Emotionally Focused, and Domain-Specific Film Series1.5 Organization of the Book; Notes; References; Chapter 2: Perspectives on Integrating Ethnographic Film into Psychological Anthropology; 2.1 Historical Precedents and Prospects for a Visual Psychological Anthropology: A Review of Relevant Filmography; 2.2 Psychological Anthropologyś Move Toward Subjectivity; 2.3 Issues Confronting a Visual Psychological Anthropology; Note; References; Chapter 3: The Lived Experience of Culture and Mental Illness in Indonesia

3.1 Ethnography and Mental Illness: A Brief Review3.2 Mental Illness in Indonesia, Java, and Bali; 3.3 Sociocultural Aspects of Recovery in Java and Bali; 3.4 History of Mental Health Care in Bali and Java; 3.5 The Afflictions Series; 3.6 Themes Across Films; Notes; References; Part II: Afflictions: Culture and Mental Illness in Indonesia; Chapter 4: The Bird Dancer: Social Rejection and Social Suffering; 4.1 Story Summary; 4.2 An Etic Explanation: Tourette Syndrome; 4.3 Traditional Healing, Explanatory Models, and Therapeutics for Neuropsychiatric Disorders in Bali

4.4 Questions of Gender, Caste, and Kinship4.5 The Complexities of Psychiatric Treatment and the Value of Empathy; 4.6 Last Encounters; Note; References; Chapter 5: Shadows and Illuminations: Interpreting and Framing Extraordinary Experience; 5.1 Story Summary; 5.2 Multiple Ways to Frame and Interpret Psychotic Experience; 5.3 Trauma, History, and Subjectivity in Shadows and Illuminations; 5.4 Last Encounters; Note; References; Chapter 6: Family Victim: Encountering Deviance and Representing Intersubjectivity; 6.1 Story Summary; 6.2 Deviance, Social Control, and Intersubjective Experience

6.3 The Intersubjective Reality of the Ethnographic Film6.4 Last Encounters; References; Chapter 7: Memory of My Face: Globalization, Madness, and Identity On-screen; 7.1 Story Summary; 7.2 Post-coloniality, Globalization, and the Subjective Experience of Mental Illness; 7.3 From Strangeness to Empathy; 7.4 Last Encounters; References; Chapter 8: Ritual Burdens: Culturally Defined Stressors and Developmental Progressions; 8.1 Story Summary; 8.2 The Beauty and Burden of Balinese Ritual in Ni Ketut Kasihś Cycles of Illness