000796698 000__ 03168cam\a22004811i\4500 000796698 001__ 796698 000796698 005__ 20210515134101.0 000796698 006__ m\\\\\o\\d\\\\\\\\ 000796698 007__ cr\un\nnnunnun 000796698 008__ 170827s2017\\\\gauabf\\ob\\\s001\0\eng\d 000796698 019__ $$a1001352050$$a1001791624$$a1004969334 000796698 020__ $$a9780820351155$$q(electronic book) 000796698 020__ $$a0820351156$$q(electronic book) 000796698 020__ $$z9780820351162 000796698 020__ $$z0820351164 000796698 035__ $$a(OCoLC)on1000521551 000796698 035__ $$a(NhCcYBP)EBC4946505 000796698 035__ $$a796698 000796698 040__ $$aNhCcYBP$$beng$$cNhCcYBP 000796698 043__ $$an-us--- 000796698 050_4 $$aPS217.S55$$bC87 2017eb 000796698 08204 $$a810.9/352625$$223 000796698 1001_ $$aCutter, Martha J.,$$eauthor. 000796698 24514 $$aThe illustrated slave :$$bempathy, graphic narrative, and the visual culture of the transatlantic abolition movement, 1800-1852 /$$cMartha J. Cutter. 000796698 264_1 $$aAthens, Georgia :$$bThe University of Georgia Press,$$c[2017] 000796698 300__ $$a1 online resource (xviii, 291 pages, 16 unnumbered pages of plates) 000796698 336__ $$atext$$btxt$$2rdacontent 000796698 337__ $$acomputer$$bc$$2rdamedia 000796698 338__ $$aonline resource$$bcr$$2rdacarrier 000796698 504__ $$aIncludes bibliographical references and index. 000796698 5050_ $$aVisualizing slavery and slave torture -- Precursors: picturing the story of slavery in broadsides, pamphlets, and early illustrated graphic works about slavery, 1793-1812 -- "These loathsome pictures shall be published": reconfigurations of the optical regime of transatlantic slavery in Amelia Opie's The black man's lament (1826) and George Bourne's Picture of slavery in the United States of America (1834) -- Entering and exiting the sensorium of slave torture: a narrative of the adventures and escape of Moses Roper, from American slavery (1837, 1838) and the visual culture of the slave's body in the transatlantic abolition movement -- Structuring a new abolitionist reading of masculinity and femininity: the graphic narrative systems of Lydia Maria Child's Joanna (1838) and Henry Bibb's Narrative of the life and adventures of Henry Bibb, an American slave, written by himself (1849) -- After Tom: illustrated books, panoramas, and the staging of the African American enslaved body in Uncle Tom's cabin (1852) and the performance work of Henry Box Brown (1849-1875) -- The end of empathy, or slavery revisited via twentieth- and twenty-first-century artworks -- Hierarchical and parallel empathy. 000796698 506__ $$aAccess limited to authorized users 000796698 588__ $$aDescription based on print version record. 000796698 650_0 $$aSlaves$$zUnited States$$xIllustrations. 000796698 650_0 $$aSlavery$$zUnited States$$xIllustrations. 000796698 650_0 $$aAmerican literature$$xAfrican American authors$$xHistory and criticism. 000796698 650_0 $$aAmerican literature$$y19th century$$xHistory and criticism. 000796698 650_0 $$aSlavery in literature. 000796698 650_0 $$aAntislavery movements in literature. 000796698 77608 $$iPrint version:$$z9780820351162$$z0820351164$$w(DLC) 2016055420 000796698 85280 $$bebk$$hProQuest Ebook Central 000796698 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=4946505$$zOnline Access 000796698 909CO $$ooai:library.usi.edu:796698$$pGLOBAL_SET 000796698 980__ $$aEBOOK 000796698 980__ $$aBIB 000796698 982__ $$aEbook 000796698 983__ $$aOnline