000796917 000__ 05408cam\a2200397\i\4500 000796917 001__ 796917 000796917 005__ 20210515134125.0 000796917 008__ 170424s2017\\\\nyu\\\\\\b\\\\000\0\eng\\ 000796917 010__ $$a 2017003026 000796917 019__ $$a980786324$$a984384131$$a984521306$$a986575666$$a987275299$$a987348460$$a987409103$$a987871722$$a988561791$$a988978852$$a989947198$$a990323410$$a993371160$$a993886027$$a995526901$$a995874259$$a999439779$$a1001321085$$a1002327167$$a1002670822$$a1002866586 000796917 020__ $$a9780802126498$$q(hardcover) 000796917 020__ $$a0802126499$$q(hardcover) 000796917 035__ $$a(OCoLC)ocn960838463 000796917 035__ $$a796917 000796917 040__ $$aDLC$$beng$$erda$$cDLC$$dYDX$$dBDX$$dWIM$$dVTL$$dJAS$$dOCO$$dIK2$$dUOK$$dFM0$$dCQU$$dIMT$$dUAB$$dOCLCF$$dNCRJL$$dVP@$$dZLM$$dTEU$$dAZD$$dXII$$dOCLCO$$dOCL$$dOCLCA$$dPAU 000796917 042__ $$apcc 000796917 043__ $$an-us--- 000796917 049__ $$aISEA 000796917 05000 $$aPS228.B6$$bG56 2017 000796917 08200 $$a810.9/0054$$223 000796917 1001_ $$aGinsberg, Allen,$$d1926-1997,$$eauthor. 000796917 24514 $$aThe best minds of my generation :$$ba literary history of the Beats /$$cAllen Ginsberg ; with a foreword by Anne Waldman ; edited by Bill Morgan. 000796917 250__ $$aFirst Grove Atlantic hardcover edition. 000796917 264_1 $$aNew York :$$bGrove Press,$$c2017. 000796917 300__ $$axxviii, 460 pages ;$$c24 cm 000796917 336__ $$atext$$btxt$$2rdacontent 000796917 337__ $$aunmediated$$bn$$2rdamedia 000796917 338__ $$avolume$$bnc$$2rdacarrier 000796917 504__ $$aIncludes bibliographical references. 000796917 5050_ $$aForeword / by Anne Waldman -- Editor's preface -- A definition of the Beat Generation / by Allen Ginsberg -- 1. Course overview -- 2. Kerouac's "Origins of the Beat Generation" -- 3. Reading list -- 4. Visions -- 5. Jazz, bebop, and music -- 6. Music, Kerouac, Wyse, and Newman -- 7. Times Square and the 1940s -- 8. Carr, Ginsberg, and Kerouac at Columbia -- 9. Kerouac, Columbia, and Vanity of Duluoz -- 10. Lucian Carr's influence on Kerouac -- 11. Kerouac and Vanity of Duluoz, part 2 -- 12. Meeting Burroughs and Ginsberg's suspension from Columbia -- 13. Kerouac and The Town and the City -- 14. Kerouac and Visions of Cody, part 1 -- 15. Kerouac, Cassady, and Visions of Cody, part 2 -- 16. Kerouac in old age -- 17. Burroughs's first writings and "Twilight's Last Gleamings" -- 18. Burroughs, Kerouac, and And the Hippos Were Boiled in Their Tanks -- 19. Burroughs, Joan Burroughs, and Junkie -- 20. Burroughs and Korzybski -- 21. Burroughs and the visual -- 22. Burroughs and The Yage Letters -- 23. Burroughs and Queer -- 24. Burroughs and Naked Lunch -- 25. Burroughs and the cut-up method -- 26. Burroughs and The Ticket That Exploded -- 27. Neal Cassady and As Ever -- 28. Kerouac and the "Essentials of Spontaneous Prose" -- 29. Kerouac and On the Road -- 30. Kerouac and The Subterraneans -- 31. Jack Kerouac and fame -- 32. Kerouac, sketching, and method -- 33. Corso and The Vestal Lady on Brattle -- 34. Corso and Gasoline and Other Poems -- 35. Corso and The Birthday of Death -- 36. Corso and "Bomb" -- 37. Corso and "Power" -- 38. Corso and Herald of the Autochthonic Spirit -- 39. Ginsberg's early writings -- 40. Ginsberg and William Carlos Williams -- 41. Ginsberg and the "The Green Automobile" -- 42. Ginsberg and "Howl" -- 43. Ginsberg, "Howl," and Christopher Smart -- 44. Ginsberg and Cézanne -- 45. Ginsberg and the San Francisco renaissance -- 46. John Clellon Holmes -- 47. Peter Orlovsky -- 48. Carl Solomon -- 49. Kerouac's "Belief and Technique For Modern Prose" -- Works cited within the text -- Allen Ginsberg's reading list for "A Literary History of the Beat Generation". 000796917 520__ $$a"In the summer of 1977, Allen Ginsberg decided it was time to teach a course on the literary history of the Beat Generation. This was twenty years after the publication of his landmark poem "Howl," and Jack Kerouac's seminal book On the Road. Through the creation of this course, which he ended up teaching five times, first at the Naropa Institute and later at Brooklyn College, Ginsberg saw an opportunity to make a record of the history of Beat Literature. Compiled and edited by renowned Beat scholar Bill Morgan, and with an introduction by Anne Waldman, The Best Minds of My Generation presents the lectures in edited form, complete with notes, and paints a portrait of the Beats as Ginsberg knew them: friends, confidantes, literary mentors, and fellow revolutionaries. Ginsberg was seminal to the creation of a public perception of Beat writers and knew all of the major figures personally, making him uniquely qualified to be the historian of the movement. In The Best Minds of My Generation, Ginsberg shares anecdotes of meeting Kerouac, Burroughs, and other writers for the first time, explains his own poetics, elucidates the importance of music to Beat writing, discusses visual influences and the cut-up method, and paints a portrait of a group who were leading a literary revolution. For academics and Beat neophytes alike, The Best Minds of My Generation is a personal and yet critical look at one of the most important literary movements of the twentieth century"--$$cProvided by publisher. 000796917 650_0 $$aAmerican literature$$y20th century$$xHistory and criticism. 000796917 650_0 $$aBeats (Persons) 000796917 7001_ $$aWaldman, Anne,$$d1945-$$ewriter of foreword. 000796917 7001_ $$aMorgan, Bill,$$d1949-$$eeditor. 000796917 77608 $$iOnline version:$$aGinsberg, Allen, 1926-1997, author.$$tBest minds of my generation$$bFirst edition.$$dNew York : Grove Press, 2017$$z9780802189479$$w(DLC) 2017020318 000796917 85200 $$bgen$$hPS228.B6$$iG56$$i2017 000796917 909CO $$ooai:library.usi.edu:796917$$pGLOBAL_SET 000796917 980__ $$aBIB 000796917 980__ $$aBOOK