@article{798523,
      author = {Schreyach, Michael,},
      url = {http://library.usi.edu/record/798523},
      title = {Pollock's modernism /},
      abstract = {Pollock's Modernism' provides a new interpretation of the  art of Jackson Pollock (1912?1956), one that is based on a  phenomenological investigation of the pictorial effects of  particular paintings. Focusing on major works that span the  artist's career - including Mural (1943), Cathedral (1947),  Number 1A, 1948, One: Number 31, 1950, and Portrait and a  Dream (1953), Michael Schreyach argues that Pollock's  achievement is best understood by attending to how,  technically and formally, he instituted certain modes of  pictorial address and structures of beholding in his  paintings. From this perspective, Pollock is shown to be an  artist who transformed the means by which the  phenomenological interdependence of sensation and cognition  in our embodied experience could be represented.},
      recid = {798523},
      pages = {xiii, 328 pages :},
}