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000798523 010__ $$a  2016055765
000798523 019__ $$a978291297$$a978653315
000798523 020__ $$a9780300223262$$q(hardcover)
000798523 020__ $$a0300223269$$q(hardcover)
000798523 035__ $$a(OCoLC)ocn965754185
000798523 035__ $$a798523
000798523 040__ $$aYUS$$beng$$erda$$cYUS$$dOCLCF$$dYDX$$dBTCTA$$dBDX$$dERASA$$dDLC
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000798523 043__ $$an-us---
000798523 049__ $$aISEA
000798523 05000 $$aND237.P73$$bS37 2017
000798523 08200 $$a759.13$$223
000798523 1001_ $$aSchreyach, Michael,$$d1970-$$eauthor.
000798523 24510 $$aPollock's modernism /$$cMichael Schreyach.
000798523 264_1 $$aNew Haven [Connecticut] :$$bYale University Press,$$c2017.
000798523 300__ $$axiii, 328 pages :$$billustrations ;$$c25 cm
000798523 336__ $$atext$$btxt$$2rdacontent
000798523 337__ $$aunmediated$$bn$$2rdamedia
000798523 338__ $$avolume$$bnc$$2rdacarrier
000798523 504__ $$aIncludes bibliographical references and index.
000798523 520__ $$aPollock's Modernism' provides a new interpretation of the art of Jackson Pollock (1912?1956), one that is based on a phenomenological investigation of the pictorial effects of particular paintings. Focusing on major works that span the artist's career - including Mural (1943), Cathedral (1947), Number 1A, 1948, One: Number 31, 1950, and Portrait and a Dream (1953), Michael Schreyach argues that Pollock's achievement is best understood by attending to how, technically and formally, he instituted certain modes of pictorial address and structures of beholding in his paintings. From this perspective, Pollock is shown to be an artist who transformed the means by which the phenomenological interdependence of sensation and cognition in our embodied experience could be represented.
000798523 60010 $$aPollock, Jackson,$$d1912-1956$$xCriticism and interpretation.
000798523 650_0 $$aAbstract expressionism$$zUnited States.$$0http://id.loc.gov/authorities/subjects/sh2007100485
000798523 85200 $$bgen$$hND237.P73$$iS37$$i2017
000798523 909CO $$ooai:library.usi.edu:798523$$pGLOBAL_SET
000798523 980__ $$aBIB
000798523 980__ $$aBOOK