000799266 000__ 01695cam\a22004331i\4500 000799266 001__ 799266 000799266 005__ 20210515134841.0 000799266 006__ m\\\\\o\\d\\\\\\\\ 000799266 007__ cr\un\nnnunnun 000799266 008__ 170906s2017\\\\enk\\\\\ob\\\\001\0\eng\d 000799266 020__ $$a9781108175272$$q(electronic book) 000799266 020__ $$a1108175279$$q(electronic book) 000799266 020__ $$z9781107195806 000799266 020__ $$z1107195802 000799266 020__ $$z9781316646946 000799266 020__ $$z1316646947 000799266 035__ $$a(NhCcYBP)EBC4941687 000799266 040__ $$aNhCcYBP$$cNhCcYBP 000799266 050_4 $$aPR2248$$b.G67 2017 000799266 08204 $$a821/.3$$223 000799266 1001_ $$aGrady, Hugh,$$eauthor. 000799266 24510 $$aJohn Donne and baroque allegory :$$bthe aesthetics of fragmentation /$$cHugh Grady, Arcadia University, Pennsylvania. 000799266 264_1 $$aCambridge, United Kingdom :$$bCambridge University Press,$$c2017. 000799266 300__ $$a1 online resource (viii, 228 pages.) 000799266 336__ $$atext$$btxt$$2rdacontent 000799266 337__ $$acomputer$$bc$$2rdamedia 000799266 338__ $$aonline resource$$bcr$$2rdacarrier 000799266 504__ $$aIncludes bibliographical references and index. 000799266 506__ $$aAccess limited to authorized users 000799266 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000799266 588__ $$aDescription based on print version record. 000799266 60010 $$aDonne, John,$$d1572-1631$$xCriticism and interpretation. 000799266 60010 $$aBenjamin, Walter,$$d1892-1940. 000799266 650_0 $$aAllegory. 000799266 7102_ $$aProQuest (Firm) 000799266 77608 $$cOriginal$$z9781107195806$$z1107195802$$z9781316646946$$z1316646947$$w(DLC) 2017012428 000799266 852__ $$bebk 000799266 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=4941687$$zOnline Access 000799266 909CO $$ooai:library.usi.edu:799266$$pGLOBAL_SET 000799266 980__ $$aEBOOK 000799266 980__ $$aBIB 000799266 982__ $$aEbook 000799266 983__ $$aOnline