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000799404 001__ 799404
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000799404 019__ $$a961862363$$a1002582451$$a1002649719
000799404 020__ $$a9781849764339$$q(paperback)
000799404 020__ $$a1849764336$$q(paperback)
000799404 035__ $$a(OCoLC)ocn929592646
000799404 035__ $$a799404
000799404 040__ $$aERASA$$beng$$erda$$cERASA$$dYDXCP$$dOCLCQ$$dBTCTA$$dTOH$$dBDX$$dEYM$$dOCLCO$$dOCLCF$$dCAM$$dUKWOH$$dOCL$$dJPG
000799404 049__ $$aISEA
000799404 050_4 $$aNK3930$$b.T43 2016
000799404 08204 $$a738
000799404 24500 $$aThat continuous thing :$$bartists and the ceramics studio, 1920-today /$$cedited by Sara Matson and Sam Thorne ; with contributions from Glenn Adamson, Aaron Angell, Alison Britton, Tanya Harrod, Bernard Leach, Sara Matson, Julian Stair, Sam Thorne, Edmund de Waal, Jesse Wine, Sōetsu Yanagi.
000799404 24630 $$aArtists and the ceramics studio, 1920-today
000799404 264_1 $$aLondon :$$bTate St Ives in association with Tate Publishing,$$c2016.
000799404 300__ $$a156 pages :$$billustrations ;$$c21 cm
000799404 336__ $$atext$$btxt$$2rdacontent
000799404 336__ $$astill image$$bsti$$2rdacontent
000799404 337__ $$aunmediated$$bn$$2rdamedia
000799404 338__ $$avolume$$bnc$$2rdacarrier
000799404 500__ $$aPublished to support the development of the exhibition "That Continuous Thing: Artists & the Ceramics Studio, 1920-Today" at Tate St Ives, March 31-September 3, 2017.
000799404 504__ $$aIncludes bibliographical references (pages 145-148) and index.
000799404 5208_ $$aFrom the rise of studio pottery in the 1910s to a number of new commissions by a young generation of UK-based artists, That Continuous Thing traces the changing shape of the ceramics studio over the last century, from the radical to the apparently traditional. Opening with exchange between Japan and the UK in 1910s and 1920s through the emergence of studio potters such as Bernard Leach, Shoji Hamada and Dora Billington, the book leads on to the Californian "clay revolution" of the 1950s and 1960s, with sculptures by the pioneering artist Voulkos. The book also includes works by contemporary artists made over the last three years at Angell's London-based Troy Town Art Pottery, which has been described as "a radical and psychedelic workshop for artists."
000799404 650_0 $$aPottery$$y20th century$$vExhibitions.
000799404 650_0 $$aPottery$$y21st century$$vExhibitions.
000799404 650_0 $$aArt pottery$$y20th century$$vExhibitions.
000799404 650_0 $$aArt pottery$$y21st century$$vExhibitions.
000799404 650_0 $$aCeramic sculpture$$y20th century$$vExhibitions.
000799404 650_0 $$aCeramic sculpture$$y21st century$$vExhibitions.
000799404 650_0 $$aCeramics$$xHistory$$y20th century$$vExhibitions.
000799404 650_0 $$aCeramics$$xHistory$$y21st century$$vExhibitions.
000799404 7001_ $$aMatson, Sara,$$eeditor,$$econtributor.
000799404 7001_ $$aThorne, Sam,$$eeditor,$$econtributor,$$einterviewer.
000799404 7001_ $$aAdamson, Glenn,$$econtributor.
000799404 7001_ $$aAngell, Aaron,$$econtributor.
000799404 7001_ $$aBritton, Alison,$$econtributor.
000799404 7001_ $$aHarrod, Tanya,$$econtributor.
000799404 7001_ $$aLeach, Bernard,$$d1887-1979,$$econtributor.
000799404 7001_ $$aStair, Julian,$$econtributor.
000799404 7001_ $$aDe Waal, Edmund,$$econtributor.
000799404 7001_ $$aWine, Jesse,$$d1983-$$einterviewee.
000799404 7001_ $$aYanagi, Muneyoshi,$$d1889-1961,$$econtributor.
000799404 7102_ $$aTate Gallery St Ives,$$ehost institution.
000799404 85200 $$bgen$$hNK3930$$i.T43$$i2016
000799404 909CO $$ooai:library.usi.edu:799404$$pGLOBAL_SET
000799404 980__ $$aBIB
000799404 980__ $$aBOOK