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Introduction: the question of identity in Harold Pinter's drama
Strong arm her: gendered identity in Harold Pinter's A kind of Alaska
The indelible memory: memorial identity in Harold Pinter's Ashes to ashes
Eroded rhetoric: linguistic identity in Harold Pinter's One for the road (1984) and mountain language
Chic dictatorship: power and political identity in Harold Pinter's Party time
The ethic and aesthetic of existence: sexual identity in Harold Pinter's Betrayal
Crumbling families: familial and marital identity in Harold Pinter's Celebration
Conclusion.

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