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Table of Contents
Introduction
A novel feeling: aesthetics of emotion and the modern novel
Mater sacer: Addie as sublime object in William Faulkner's As I lay dying
Only disconnect: Ruth Wilcox, death, and the sublime object in Howard's end
Transcending the rainbow: the possibility of sublime intersubjectivity in D.H. Lawrence's The rainbow
"What is R?": Mrs. Ramsay as feminism's sublime object in Virginia Woolf's To the lighthouse
Epilogue: Žižek's mom: theory, feminism, and the mother.
A novel feeling: aesthetics of emotion and the modern novel
Mater sacer: Addie as sublime object in William Faulkner's As I lay dying
Only disconnect: Ruth Wilcox, death, and the sublime object in Howard's end
Transcending the rainbow: the possibility of sublime intersubjectivity in D.H. Lawrence's The rainbow
"What is R?": Mrs. Ramsay as feminism's sublime object in Virginia Woolf's To the lighthouse
Epilogue: Žižek's mom: theory, feminism, and the mother.