000800933 000__ 02780cam\a2200553Mi\4500 000800933 001__ 800933 000800933 005__ 20210515135302.0 000800933 006__ m\\\\\o\\d\\\\\\\\ 000800933 007__ cr\\n\nnnunnun 000800933 008__ 170228t20172017nyua\\\\ob\\\\001\0\eng\d 000800933 020__ $$a1351619403$$q(electronic book) 000800933 020__ $$a9781351619400 000800933 020__ $$z1351619381 000800933 020__ $$z1138085065 000800933 020__ $$z135161939X 000800933 020__ $$z1315111551 000800933 020__ $$z9781138085060 000800933 035__ $$a(NhCcYBP)EBC4912392 000800933 037__ $$a1037168$$bMIL 000800933 040__ $$aNhCcYBP$$cNhCcYBP 000800933 050_4 $$aTR897$$b.B47 2017 000800933 08204 $$a777/.53$$223 000800933 1001_ $$aBetancourt, Michael,$$d1970-$$eauthor. 000800933 24510 $$aSynchronization and title sequences :$$baudio-visual semiosis in motion graphics /$$cMichael Betancourt. 000800933 264_1 $$aNew York ;$$aLondon :$$bRoutledge, Taylor & Francis Group,$$c2017. 000800933 264_4 $$c€2017 000800933 300__ $$a1 online resource (x, 142 pages) :$$billustrations. 000800933 336__ $$atext$$btxt$$2rdacontent 000800933 337__ $$acomputer$$bc$$2rdamedia 000800933 338__ $$aonline resource$$bcr$$2rdacarrier 000800933 4900_ $$aRoutledge studies in media theory & practice ;$$v2 000800933 500__ $$a"Routledge Focus"--Cover. 000800933 504__ $$aIncludes bibliographical references and index. 000800933 5050_ $$aCover; Half Title; Title Page; Copyright Page; Table of Contents; List of Figures; Acknowledgments; Chapter 1: Introduction; The Development of Title Sequences; Primary Recognition; Emergent Identification; Notes; Chapter 2: Direct Synchronization; The Synchronized; Naturalistic Synchronization; Diegetic and Non-Diegetic Synchronization; Notes; Chapter 3: Natural Artifice; The "visual Music" Heritage; The Ideology of Synchronization; Illustrative Synchronization; Notes; Chapter 4: Counterpoint; Reservations about the "Talkies"; Counterpoint Synchronization; Quotational Counterpoint; Notes 000800933 5058_ $$aChapter 5: Songs and Voice-OverMusic; Title Songs; Narrated Montages; Notes; Chapter 6: Conclusions; The Statement of Synchronization; The Immanence of Ideology; The Role of Music and Theme Songs; Notes; Index 000800933 506__ $$aAccess limited to authorized users 000800933 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000800933 588__ $$aDescription based on print version record. 000800933 650_0 $$aSound in motion pictures. 000800933 650_0 $$aMotion pictures$$xTitling. 000800933 650_0 $$aSound symbolism. 000800933 650_0 $$aMotion pictures$$xSemiotics. 000800933 650_0 $$aSynchronization. 000800933 650_0 $$aCredit titles (Motion pictures, television, etc.) 000800933 7102_ $$aProQuest (Firm) 000800933 77608 $$iPrint version:$$z9781351619400 000800933 852__ $$bebk 000800933 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=4912392$$zOnline Access 000800933 909CO $$ooai:library.usi.edu:800933$$pGLOBAL_SET 000800933 980__ $$aEBOOK 000800933 980__ $$aBIB 000800933 982__ $$aEbook 000800933 983__ $$aOnline