000801265 000__ 01579cam\a2200433Ki\4500 000801265 001__ 801265 000801265 005__ 20230306143625.0 000801265 006__ m\\\\\o\\d\\\\\\\\ 000801265 007__ cr\un\nnnunnun 000801265 008__ 171018s2017\\\\enk\\\\\ob\\\\001\0\eng\d 000801265 019__ $$a1006502605$$a1007372437 000801265 020__ $$a9781137444530$$q(electronic book) 000801265 020__ $$a1137444533$$q(electronic book) 000801265 020__ $$z9781137444523 000801265 020__ $$z1137444525 000801265 035__ $$aSP(OCoLC)on1006593919 000801265 035__ $$aSP(OCoLC)1006593919$$z(OCoLC)1006502605$$z(OCoLC)1007372437 000801265 040__ $$aYDX$$beng$$cYDX$$dN$T$$dEBLCP$$dN$T$$dOCLCF$$dUAB 000801265 043__ $$ae-uk--- 000801265 049__ $$aISEA 000801265 050_4 $$aPN1689 000801265 08204 $$a809.2$$223 000801265 1001_ $$aSaunders, Graham,$$eauthor. 000801265 24510 $$aElizabethan and Jacobean reappropriation in contemporary British drama :$$b'Upstart crows' /$$cGraham Saunders. 000801265 260__ $$aLondon :$$bPalgrave Macmillan,$$c2017. 000801265 300__ $$a1 online resource. 000801265 336__ $$atext$$btxt$$2rdacontent 000801265 337__ $$acomputer$$bc$$2rdamedia 000801265 338__ $$aonline resource$$bcr$$2rdacarrier 000801265 4901_ $$aAdaptation in theatre and performance 000801265 504__ $$aIncludes bibliographical references and index. 000801265 506__ $$aAccess limited to authorized users. 000801265 650_0 $$aTheater$$zGreat Britain$$y21st century. 000801265 77608 $$iPrint version:$$z9781137444523$$z1137444525$$w(OCoLC)978289917 000801265 830_0 $$aAdaptation in theatre and performance. 000801265 852__ $$bebk 000801265 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-44453-0$$zOnline Access$$91397441.1 000801265 909CO $$ooai:library.usi.edu:801265$$pGLOBAL_SET 000801265 980__ $$aEBOOK 000801265 980__ $$aBIB 000801265 982__ $$aEbook 000801265 983__ $$aOnline 000801265 994__ $$a92$$bISE