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Table of Contents
Preface / Sarah Bay-Cheng
Performance in the age of intelligent warfare: Introduction / Sara Brady, Lindsey Mantoan
In the absence of the gun: performing militarization. Sites of conflict
Katherine Zien: Mises-en-scène of militarization: decommissioning US military infrastructure in the Panama Canal Zone
Alexis Bushnell, Justine Nakase: Military aid: the spatial performances and performativity of contemporary refugee camps
Eylül Fidan Akinci: Sacred children, accursed mothers: performativities of necropolitics and mourning in neoliberal Turkey
Elin Nicholson: The freedom theatre and cultural resistance in Jenin, Palestine
Bart Pitchford: Tactical performance across a revolutionary timeline
Militarized history and memory. Áine Sheil: How to do things with music criticism: performances of victory in German Wagner reception, 1918-33
Susanne Shawyer: "Stop the war in Chicago please": performative protest and the limits of dissensus
Jessica Nakamura: Choreographies of militarized space: US military bases, everyday life, and performance in Okinawa, Japan
Solveig Gade: Reviving the tradition of the battle painting: the militarization of Danish culture
Performing the soldier. Tyler Boudreau: Soldier Street theatre
Lindsey Mantoan: No easy mission: Bin Laden, exceptionalism, and gendered heroism in the post-heroic age
Sarah Beck: Going outside the wire: service members as documentary subjects in Black Watch and Reentry
Cami Rowe: Challenging the characterizations of military service: a critical comparison of British and American counter-recruitment efforts
Michael St. Clair: Strategic simulation and the American military imaginary
Scott Magelssen: Performing flight: test pilots, commercial airlines, and the Cold War
The militarization of the everyday. Lindsay Livingston: Picking up the gun: spectacular performances of firearm ownership in the long civil rights movement
Emily Klein: Failure, future tense: adaptation, affect, and apathy in American theatre's militarized dystopias
Asher Warren: Weaponized bureaucracy: kill-chains, drones, and tethers
Jacqueline Viskup: Re-staging surveillance tragedy as critical resistance
Kashif Powell: The time to break (silence): disavowing the affects of militarization and death through the performance of Black existence
Afterword. Wendy S. Hesford: Constitutive performance: human rights in a militarized culture.
Performance in the age of intelligent warfare: Introduction / Sara Brady, Lindsey Mantoan
In the absence of the gun: performing militarization. Sites of conflict
Katherine Zien: Mises-en-scène of militarization: decommissioning US military infrastructure in the Panama Canal Zone
Alexis Bushnell, Justine Nakase: Military aid: the spatial performances and performativity of contemporary refugee camps
Eylül Fidan Akinci: Sacred children, accursed mothers: performativities of necropolitics and mourning in neoliberal Turkey
Elin Nicholson: The freedom theatre and cultural resistance in Jenin, Palestine
Bart Pitchford: Tactical performance across a revolutionary timeline
Militarized history and memory. Áine Sheil: How to do things with music criticism: performances of victory in German Wagner reception, 1918-33
Susanne Shawyer: "Stop the war in Chicago please": performative protest and the limits of dissensus
Jessica Nakamura: Choreographies of militarized space: US military bases, everyday life, and performance in Okinawa, Japan
Solveig Gade: Reviving the tradition of the battle painting: the militarization of Danish culture
Performing the soldier. Tyler Boudreau: Soldier Street theatre
Lindsey Mantoan: No easy mission: Bin Laden, exceptionalism, and gendered heroism in the post-heroic age
Sarah Beck: Going outside the wire: service members as documentary subjects in Black Watch and Reentry
Cami Rowe: Challenging the characterizations of military service: a critical comparison of British and American counter-recruitment efforts
Michael St. Clair: Strategic simulation and the American military imaginary
Scott Magelssen: Performing flight: test pilots, commercial airlines, and the Cold War
The militarization of the everyday. Lindsay Livingston: Picking up the gun: spectacular performances of firearm ownership in the long civil rights movement
Emily Klein: Failure, future tense: adaptation, affect, and apathy in American theatre's militarized dystopias
Asher Warren: Weaponized bureaucracy: kill-chains, drones, and tethers
Jacqueline Viskup: Re-staging surveillance tragedy as critical resistance
Kashif Powell: The time to break (silence): disavowing the affects of militarization and death through the performance of Black existence
Afterword. Wendy S. Hesford: Constitutive performance: human rights in a militarized culture.