@article{802149,
      note = {Published in 2017 in Great Britain by National Portrait  Gallery Publications, London.},
      author = {Elderfield, John, and Morton, Mary G., and Rey, Xavier,  and Warman, Jayne, and Danchev, Alex, and Cézanne, Paul,},
      url = {http://library.usi.edu/record/802149},
      title = {Cézanne portraits /},
      abstract = {A major new study of the portraiture of one of the most  important artists of the nineteenth century. Paul Cezanne  (1839-1906) may be best known for his landscapes, but he  also painted some 160 portraits throughout his exceptional  career. This major work establishes portraiture as an  essential practice for Cezanne, from his earliest  self-portraits in the 1860s; to his famous depictions of  figures including his wife Hortense Fiquet, the writer  Emile Zola, and the art dealer Ambrose Vollard; and  concluding with a poignant series of portraits of his  gardener Vallier, made shortly before Cezanne's death.  Featured essays by leading experts explore the special  pictorial and thematic characteristics of Cezanne's  portraits. The authors address the artist's creation of  complementary pairs and multiple versions of the same  subject, as well as the role of self-portraiture for  Cezanne. They investigate the chronological evolution of  his portrait work, with an examination of the changes that  occurred within his artistic style and method, and in his  understanding of resemblance and identity. They also  consider the extent to which particular sitters influenced  the characteristics and development of Cezanne's practice.},
      recid = {802149},
      pages = {255 pages :},
}