000803526 000__ 01633cam\a2200361\a\4500 000803526 001__ 803526 000803526 005__ 20210515140041.0 000803526 006__ m\\\\\o\\d\\\\\\\\ 000803526 007__ cr\cn\nnnunnun 000803526 008__ 120926s2013\\\\mdu\\\\\ob\\\\001\0\eng\d 000803526 010__ $$z 2012035369 000803526 020__ $$z9780739172537 000803526 020__ $$a9780739172544$$q(electronic book) 000803526 035__ $$a(MiAaPQ)EBC1117142 000803526 035__ $$a(Au-PeEL)EBL1117142 000803526 035__ $$a(CaPaEBR)ebr10660112 000803526 035__ $$a(CaONFJC)MIL445387 000803526 035__ $$a(OCoLC)828423713 000803526 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000803526 050_4 $$aPN1995.9.M45$$bZ39 2013 000803526 08204 $$a792.2/7$$223 000803526 1001_ $$aZarzosa, Agustín,$$d1970- 000803526 24510 $$aRefiguring melodrama in film and television$$h[electronic resource] :$$bcaptive affects, elastic sufferings, vicarious objects /$$cAgustín Zarzosa. 000803526 260__ $$aLanham :$$bLexington Books,$$c2013. 000803526 300__ $$ax, 173 p. 000803526 504__ $$aIncludes bibliographical references and index. 000803526 5050_ $$aIntroduction: the outwitted critic -- Modalities of melodrama -- Affect, affection, affectation -- Diagnosing suffering -- Trafficking in sacred objects -- Sacrifice and the animal melodrama -- The excesses of the posthuman melodrama -- The outside and the coincidence machine -- Conclusion: tragedy and melodrama. 000803526 506__ $$aAccess limited to authorized users. 000803526 650_0 $$aMelodrama in motion pictures. 000803526 650_0 $$aMelodrama on television. 000803526 852__ $$bebk 000803526 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=http://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1117142$$zOnline Access 000803526 909CO $$ooai:library.usi.edu:803526$$pGLOBAL_SET 000803526 980__ $$aEBOOK 000803526 980__ $$aBIB 000803526 982__ $$aEbook 000803526 983__ $$aOnline