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000805849 1001_ $$aTosaki, Eiichi,$$eauthor.
000805849 24510 $$aMondrian's philosophy of visual rhythm :$$bphenomenology, Wittgenstein, and Eastern thought /$$cEiichi Tosaki ; foreword by Kathleen M. Higgins.
000805849 264_1 $$aDordrecht, The Netherlands :$$bSpringer Nature,$$c[2017]
000805849 300__ $$a1 online resource (xxvii, 260 pages) :$$billustrations.
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000805849 4901_ $$aSophia Studies in Cross-cultural Philosophy of Traditions and Cultures,$$x2211-1107 ;$$vvolume 23
000805849 4900_ $$aSophia Studies in Cross-cultural Philosophy of Traditions and Cultures (electronic),$$x2211-1115 ;$$vvolume 23
000805849 504__ $$aIncludes bibliographical references and index.
000805849 506__ $$aAccess limited to authorized users.
000805849 520__ $$a"This volume investigates the meaning of visual rhythm through Piet Mondrian's unique approach to understanding rhythm in the compositional structure of painting, drawing reference from philosophy, aesthetics, and Zen culture. Its innovation lies in its reappraisal of a forgotten definition of rhythm as 'stasis' or 'composition' which can be traced back to ancient Greek thought. This conception of rhythm, the book argues, can be demonstrated in terms of pictorial strategy, through analysis of East Asian painting and calligraphy with which Greek thought on rhythm has identifiable commonalities. The book demonstrates how these ideas about rhythm draw together various threads of intellectual development in the visual arts that cross disparate aesthetic cultural practices. As an icon of early 20th Century Modernism, Mondrian's neoplasticism is a serious painterly and philosophical achievement. In his painting, Mondrian was deeply influenced by Theosophy, which took its influence from Eastern aesthetics; particularly East Asian and Indian thought. However, Mondrian's approach to visual rhythm was so ideosynratic that his contribution to studies of visual rhythm is often under-recognized. This volume shows that a close inspection of Mondrian's own writing, thinking and painting has much to tell scholars about how to understand a long forgotten aspect of visual rhythm. Rodin's famous criticism of photography ("athlete-in-motion is forever frozen") can be applied to Muybridge's zoopraxiscope, the Futurists' rendition of stroboscopic images, and Duchamp's "Nude Descending a Staircase." Through a comparative study between Mondrian's painting and these seminal works, this volume initiates a new convention for the cognition of the surface of painting as visual rhythm."--Provided by publisher.
000805849 588__ $$aOnline resource; title from digital title page (viewed December 20, 2017).
000805849 650_0 $$aProportion (Art)
000805849 650_0 $$aArt$$xPhilosophy.
000805849 7001_ $$aHiggins, Kathleen Marie,$$ewriter of foreword.
000805849 77608 $$iPrint version:$$aTosaki, Eiichi$$tMondrian's Philosophy of Visual Rhythm : Phenomenology, Wittgenstein, and Eastern thought$$dDordrecht : Springer Netherlands, c2017$$z9789402411966$$w(DLC)  2017950070
000805849 830_0 $$aSophia studies in cross-cultural philosophy of traditions and cultures ;$$v23.
000805849 852__ $$bebk
000805849 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-94-024-1198-0$$zOnline Access$$91397441.1
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