@article{806559,
      recid = {806559},
      author = {Weetch, Owen.},
      title = {Expressive Spaces in Digital 3D Cinema.},
      publisher = {Palgrave Macmillan,},
      address = {London :},
      pages = {1 online resource.},
      year = {2016},
      abstract = {This book puts forward a more considered perspective on  3D, which is often seen as a distracting gimmick at odds  with artful cinematic storytelling. Owen Weetch looks at  how stereography brings added significance and expressivity  to individual films that all showcase remarkable uses of  the format. Avatar, Gravity, The Hole, The Great Gatsby and  Frozen all demonstrate that stereography is a rich and  sophisticated process that has the potential to bring extra  meaning to a film's narrative and themes. Through close  reading of these five very different examples, Expressive  Spaces in Digital 3D Cinema shows how being sensitive to  stereographic manipulation can nuance and enrich the  critical appreciation of stereoscopic films. It  demonstrates that the expressive placement of characters  and objects within 3D film worlds can construct meaning in  ways that are unavailable to 'flat' cinema.},
      url = {http://library.usi.edu/record/806559},
      doi = {https://doi.org/10.1057/978-1-137-54267-0},
}