000806655 000__ 03427cam\a2200517Ki\4500 000806655 001__ 806655 000806655 005__ 20230306143826.0 000806655 006__ m\\\\\o\\d\\\\\\\\ 000806655 007__ cr\nn\nnnunnun 000806655 008__ 170629s2016\\\\gw\a\\\\ob\\\\001\0\eng\d 000806655 019__ $$a992782709$$a992962262$$a1000430357$$a1001256536$$a1001536806$$a1002422631$$a1003200940$$a1003613158$$a1004385231$$a1005466124$$a1005823568 000806655 020__ $$a9783319450865 000806655 020__ $$a3319450867 000806655 020__ $$z3319450859 000806655 020__ $$z9783319450858 000806655 0247_ $$a10.1007/978-3-319-45086-5$$2doi 000806655 035__ $$aSP(OCoLC)ocn996426645 000806655 035__ $$aSP(OCoLC)996426645$$z(OCoLC)992782709$$z(OCoLC)992962262$$z(OCoLC)1000430357$$z(OCoLC)1001256536$$z(OCoLC)1001536806$$z(OCoLC)1002422631$$z(OCoLC)1003200940$$z(OCoLC)1003613158$$z(OCoLC)1004385231$$z(OCoLC)1005466124$$z(OCoLC)1005823568 000806655 040__ $$aAZU$$beng$$erda$$epn$$cAZU$$dOCLCO$$dYDX$$dN$T$$dCOO$$dBNG$$dQGK$$dERL$$dOCLCQ$$dOCLCF$$dUAB 000806655 043__ $$an-us---$$ae------$$acl----- 000806655 049__ $$aISEA 000806655 050_4 $$aP87-P96 000806655 08204 $$a709.04/075$$223 000806655 1001_ $$aKalyva, Eve,$$eauthor. 000806655 24510 $$aImage and Text in Conceptual Art :$$bCritical Operations in Context /$$cby Eve Kalyva. 000806655 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2016. 000806655 300__ $$a1 online resource (xiii, 264 pages) :$$billustrations. 000806655 336__ $$atext$$btxt$$2rdacontent 000806655 337__ $$acomputer$$bc$$2rdamedia 000806655 338__ $$aonline resource$$bcr$$2rdacarrier 000806655 347__ $$atext file$$bPDF$$2rda 000806655 504__ $$aIncludes bibliographical references and index. 000806655 5050_ $$aAcknowledgements -- Introduction -- 1. Parallels between Art and Language -- 2. The Performative Gesture of Image and Text Juxtapositions -- 3. The Logico-semantics of Image and Text -- 4. Rhetorical Operations and the Discursive Creation of Meaning -- Conclusions -- Bibliography. 000806655 506__ $$aAccess limited to authorized users. 000806655 520__ $$aThis book examines the use of image/text juxtapositions in conceptual art as a critical strategy to challenge the ideological and institutional demands placed on art. While conceptual art is generally identified by its use of language, its analysis should make clear how exactly language was used. In particular, this book asks: how has the presence of language in a visual art context changed the ways art is talked about, theorized and produced? Image and Text in Conceptual Art demonstrates how artworks communicate in context and evaluates their critical potential. It considers international case studies and draws interdisciplinary resources from art history and theory, philosophy, discourse analysis, social semiotics, and literary criticism. It presents three analytic frameworks that engage art's critical and social dimensions: the work's performative gesture, its logico-semantic relations, and the rhetorical operations in the discursive creation of meaning, and offers a comprehensive method of analysis that can be applied beyond conceptual art. 000806655 650_0 $$aCulture$$xStudy and teaching. 000806655 650_0 $$aEthnology$$zEurope. 000806655 650_0 $$aEthnology$$zLatin America. 000806655 650_0 $$aCommunication. 000806655 650_0 $$aConceptual art. 000806655 651_0 $$aUnited States$$xStudy and teaching. 000806655 77608 $$iPrint version:$$z9783319450858 000806655 852__ $$bebk 000806655 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-45086-5$$zOnline Access$$91397441.1 000806655 909CO $$ooai:library.usi.edu:806655$$pGLOBAL_SET 000806655 980__ $$aEBOOK 000806655 980__ $$aBIB 000806655 982__ $$aEbook 000806655 983__ $$aOnline 000806655 994__ $$a92$$bISE