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Table of Contents
Postcolonialism and Postsocialism in Fiction and Art; Acknowledgements; Prologue; Contents; List of Figures; 1 Introduction: A Leap Into the Void?; 1.1 The Postsocialist Predicament: From the 'End of History' to a Postcolonial Analogizing; 1.2 On the Wrong Progressivism and Starting from Scratch; 1.3 The Splendours and Miseries of Post-Cold War Studies; 1.4 The Post-Dependence Condition; 1.5 Global Coloniality and the Postsocialist Other; 1.6 Beyond the Void?; 2 How to Disengage from the Coloniality of Perception; 2.1 An Old Hat in a New Box: Homo Altermodernus, or a Montage Human Being?
2.2 Aesthesis and Aesthetics2.3 Art and Beauty; 2.4 Knowledge, Aesthesis, and Art; 2.5 Aesthesis and Corporality; 2.6 The Decolonial Sublime; 2.7 A Decolonial Community of Sense?; Note; 3 Decolonial Art in Eurasian Borderlands; 3.1 Close Up 1: Passing for Boy-Batyr?; 3.2 Close Up 2: Defloration of Kazakhness; 3.3 Close Up 3: A Buddhist Trickster; 4 Decolonizing the Museum; 4.1 Museum Interventions around the Caucasus: The Post-Imperial and the Decolonial; 5 Postsocialist/Postcolonial Tempo-Localities; 5.1 Revisiting Foucauldian Heterotopias and Bakhtin's Chronotopes.
5.2 Decolonizing the Tempo-Localities of Post-Dependence5.3 Close Up 1: From Baku to Moscow and Back; 5.4 The Tempo-Local Dimensions of War and ... World; 5.5 Close Up 2: A Post-Soviet 'Midnight Child'; 5.6 Close Up 3: An Unlikely Estonian-Georgian 'Creolization'; 5.7 Home, Transit, and Paradigmatic Unhomedness; 5.8 Cemetery as a Heteroclite; 5.9 Rethinking the Idyll; Notes; 6 Tricksters, Jesters, Qalandars; 6.1 Tricksters on the Road; 6.2 Close Up 1: Ilkhom; 6.3 Probing Metamorphosis, Problematizing Mimicry; 6.4 Post-Soviet Mimicry.
6.5 Close Up 2: The Post-Soviet Reverse Metamorphosis and MimicryNote; 7 Coloniality of Memory at the Postcolonial/Postsocialist Juncture; 7.1 The Anatomy of Violence and the Coloniality of Memory; 7.2 Sexual Violence as a Form of Genocide; 7.3 Decolonizing 'Death and the Maiden'; 7.4 To Forget and Forgive, or a Multilayered Betrayal; 7.5 Looking in the Torturer's Eyes; 7.6 A Visit of a Monster, or a Father with No Face; 7.7 Doubling as Healing; 7.8 An Enemy Inside Your Own Body; Notes; 8 Afterword: An Open Finale; Bibliography; Index.
2.2 Aesthesis and Aesthetics2.3 Art and Beauty; 2.4 Knowledge, Aesthesis, and Art; 2.5 Aesthesis and Corporality; 2.6 The Decolonial Sublime; 2.7 A Decolonial Community of Sense?; Note; 3 Decolonial Art in Eurasian Borderlands; 3.1 Close Up 1: Passing for Boy-Batyr?; 3.2 Close Up 2: Defloration of Kazakhness; 3.3 Close Up 3: A Buddhist Trickster; 4 Decolonizing the Museum; 4.1 Museum Interventions around the Caucasus: The Post-Imperial and the Decolonial; 5 Postsocialist/Postcolonial Tempo-Localities; 5.1 Revisiting Foucauldian Heterotopias and Bakhtin's Chronotopes.
5.2 Decolonizing the Tempo-Localities of Post-Dependence5.3 Close Up 1: From Baku to Moscow and Back; 5.4 The Tempo-Local Dimensions of War and ... World; 5.5 Close Up 2: A Post-Soviet 'Midnight Child'; 5.6 Close Up 3: An Unlikely Estonian-Georgian 'Creolization'; 5.7 Home, Transit, and Paradigmatic Unhomedness; 5.8 Cemetery as a Heteroclite; 5.9 Rethinking the Idyll; Notes; 6 Tricksters, Jesters, Qalandars; 6.1 Tricksters on the Road; 6.2 Close Up 1: Ilkhom; 6.3 Probing Metamorphosis, Problematizing Mimicry; 6.4 Post-Soviet Mimicry.
6.5 Close Up 2: The Post-Soviet Reverse Metamorphosis and MimicryNote; 7 Coloniality of Memory at the Postcolonial/Postsocialist Juncture; 7.1 The Anatomy of Violence and the Coloniality of Memory; 7.2 Sexual Violence as a Form of Genocide; 7.3 Decolonizing 'Death and the Maiden'; 7.4 To Forget and Forgive, or a Multilayered Betrayal; 7.5 Looking in the Torturer's Eyes; 7.6 A Visit of a Monster, or a Father with No Face; 7.7 Doubling as Healing; 7.8 An Enemy Inside Your Own Body; Notes; 8 Afterword: An Open Finale; Bibliography; Index.