000807120 000__ 05672cam\a2200613M\\4500 000807120 001__ 807120 000807120 005__ 20230306143757.0 000807120 006__ m\\\\\o\\d\\\\\\\\ 000807120 007__ cr\un\nnnunnun 000807120 008__ 170518s2017\\\\nyu\\\\\o\\\\\001\0\eng\d 000807120 019__ $$a987251003$$a987357671$$a987431742$$a990010353$$a992450704$$a999522083$$a1000444124$$a1005793894$$a1007816778$$a1012330713 000807120 020__ $$a9781137568731$$q(electronic book) 000807120 020__ $$a1137568739$$q(electronic book) 000807120 020__ $$z1137571543 000807120 020__ $$z9781137571540 000807120 020__ $$a1137571543 000807120 020__ $$a9781137571540 000807120 0247_ $$a10.1057/978-1-137-56873-1$$2doi 000807120 0243_ $$a9781137571540 000807120 035__ $$aSP(OCoLC)ocn987715260 000807120 035__ $$aSP(OCoLC)987715260$$z(OCoLC)987251003$$z(OCoLC)987357671$$z(OCoLC)987431742$$z(OCoLC)990010353$$z(OCoLC)992450704$$z(OCoLC)999522083$$z(OCoLC)1000444124$$z(OCoLC)1005793894$$z(OCoLC)1007816778$$z(OCoLC)1012330713 000807120 037__ $$a9781137571540$$b00676990 000807120 040__ $$aYDX$$beng$$cYDX$$dN$T$$dEBLCP$$dN$T$$dAZU$$dOCLCF$$dVT2$$dCDN$$dIDB$$dMERUC$$dUAB 000807120 043__ $$an------$$as------ 000807120 049__ $$aISEA 000807120 050_4 $$aHX806$$b.P4225 2017 000807120 08204 $$a335.02$$223 000807120 24500 $$aPerforming utopias in the contemorary Americas /$$cKim Beauchesne, Alessandra Santos, editors. 000807120 250__ $$aFirst edition. 000807120 260__ $$aNew York, NY :$$bPalgrave Macmillan,$$c2017. 000807120 300__ $$a1 online resource. 000807120 336__ $$atext$$btxt$$2rdacontent 000807120 337__ $$acomputer$$bc$$2rdamedia 000807120 338__ $$aonline resource$$bcr$$2rdacarrier 000807120 347__ $$atext file$$bPDF$$2rda 000807120 500__ $$aIncludes index. 000807120 5050_ $$aAcknowledgments; Chapter 1: Introduction: Utopian Interventions and Their Relevance in the Contemporary Americas; Explaining the Title: Why "Performing" "Utopias" in the "Contemporary Americas"; The Origin of Performing Utopias in the Contemporary Americas; The Contents of the Book; Notes; Works Cited; Part I: Mapping Utopias in Performance: Cross-Cultural (Dis)locations; Chapter 2: A New (Anti) Manifesto for the Americas. Version 2015; Chapter 3: tangible cartographies: surviving the colonial/welcome to my house; Chapter 4: Flash: Butoh, Hip-Hop, and the Urban Body in Crisis; Note 000807120 5058_ $$aWorks CitedPart II: Indigenizing Utopian Performances: Colonial Legacies and Contemporary Challenges; Chapter 5: Writing. First. Contacts?; Critical Moment: Visual Containments; Performance Art Methodologies: Re-Formations of Time/Body/Land; Reflective Moment: Re-Movements and Resumptions; Works Cited; Chapter 6: Colonial Blanket for Peoples Who Refuse to Vanish; Chapter 7: Masking Revolution: Subcomandante Marcos and the Contemporary Zapatista Movement; Following Che: The FLN Arrives to the Mountain in Chiapas; 1910/1968: Marcos (Re)Defines His Political Identity 000807120 5058_ $$aMarcos's Masked "I": Building a More Inclusive and "Absolute" DemocracyDemocracy Unmasked: A Zapatista Approach to Utopia in a Post-"Marcos" Era; Notes; Works Cited; Chapter 8: Utopic Cannibalism in Carlos Fausto, Leonardo Sette, and Takumã Kuikuro's As Hiper Mulheres; Notes; Works Cited; Filmography; Part III: Political Manifestations and the Practice of Utopia: Global Connections; Chapter 9: Real Utopias; Urban Participatory Budgeting; Wikipedia; Worker-Owned Cooperatives; Unconditional Basic Income; Recommended Readings; Also recommended 000807120 5058_ $$aChapter 10: No Suture: Rethinking Utopia Through J.M. Coetzee's Disgrace, the Occupy Movement, and Idle No MoreCassanova's Trained Incapacity; The Onslaughter of Reality; Casa Supernova: Strategies Against Architecture; Eventualities and Transductive Futility; Antigonizing the Present and the Future; Idle No More: From Conservative Occupational Utopias to Thanatopia; Notes; Works Cited; Chapter 11: Utopian Discourse and the 2008 Global Financial Crisis: Andrew Ross Sorkin's and Curtis Hanson's Too Big to Fail, and Antonio Muñoz Molina's Todo lo que era sólido; Introduction 000807120 5058_ $$aTracing Crisis Management as Utopian Discourse Comes Undone: Too Big to Fail by Andrew Ross SorkinA Cinematographic Representation of the Severity and Rapidity of the Crisis: Too Big to Fail by Curtis Hanson; A Brief Look at a Case Outside of the United States: Todo lo que era sólido by Antonio Muñoz Molina and the Spanish Recession; Conclusion; Notes; Works Cited; Chapter 12: El Che de los Gays and Hija de Perra: Utopian Queer Performances in Postdictatorship Chile; Escena de avanzada and Las Yeguas del Apocalipsis; Futuristic Kitsch: El Che de los Gays (Santiago, 1997−Present) 000807120 506__ $$aAccess restricted to subscribing institutions. 000807120 506__ $$aAccess limited to authorized users. 000807120 520__ $$aThis book offers an innovative examination of the utopian impulse through performance as a proposition of practical engagement in the contemporary Americas. The volume compiles unique multidisciplinary and exploratory texts, applying diverse critical and artistic approaches. Its contributors reconceptualize utopia as a creative and theoretical method based on a commitment to sociopolitical transformation. Chapters are organized around notions of mapping utopias, indigenizing practices, political manifestations, and the construction of social identities. 000807120 650_0 $$aUtopias$$zAmerica. 000807120 650_0 $$aUtopias in literature. 000807120 650_0 $$aUtopias in art. 000807120 7001_ $$aBeauchesne, Kim,$$d1976-$$eeditor. 000807120 7001_ $$aSantos, Alessandra,$$d1970-$$eeeditor. 000807120 77608 $$iPrint version:$$z1137571543$$z9781137571540$$w(OCoLC)964650380 000807120 852__ $$bebk 000807120 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-56873-1$$zOnline Access$$91397441.1 000807120 909CO $$ooai:library.usi.edu:807120$$pGLOBAL_SET 000807120 980__ $$aEBOOK 000807120 980__ $$aBIB 000807120 982__ $$aEbook 000807120 983__ $$aOnline 000807120 994__ $$a92$$bISE