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000807316 019__ $$a1002113575$$a1005000847
000807316 020__ $$a9783319490854$$q(electronic book)
000807316 020__ $$a3319490850$$q(electronic book)
000807316 020__ $$z9783319490847
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000807316 0247_ $$a10.1007/978-3-319-49085-4$$2doi
000807316 035__ $$aSP(OCoLC)on1001933955
000807316 035__ $$aSP(OCoLC)1001933955$$z(OCoLC)1002113575$$z(OCoLC)1005000847
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000807316 050_4 $$aTK7882.E2
000807316 08204 $$a621.38928$$223
000807316 24500 $$aSpaces of surveillance :$$bstates and selves /$$cSusan Flynn, Antonia Mackay, editors.
000807316 264_1 $$aCham :$$bPalgrave Macmillan,$$c2017.
000807316 300__ $$a1 online resource
000807316 336__ $$atext$$btxt$$2rdacontent
000807316 337__ $$acomputer$$bc$$2rdamedia
000807316 338__ $$aonline resource$$bcr$$2rdacarrier
000807316 347__ $$atext file$$bPDF$$2rda
000807316 504__ $$aIncludes bibliographical references and index.
000807316 5050_ $$a1. Introduction -- 2. Equality and Erasure: Response to Subject in the Art of Jill Magid -- 3. Camera Performed: Visualising the Behaviours of Technology in Digital Performance -- 4. She's Not There: Shallow Focus on Privacy, Surveillance and the Emerging Techno-mediated Modes of Being in Spike Jonze's Her -- 5. Surveillance in Zero Dark Thirty: Terrorism, Space and Identity.-6. To see and to be Seen: Surveillance, The Vampiric Lens and the Undead Subject -- 7. Watching Through Windows: Bret Easton Ellis and Urban Surveillance -- 8. Participating in '1984': The Surveillance of Sousveillance from White Noise to Right Now -- 9. Surveillance in Post-Postmodern American Fiction: Dave Eggers The Circle, Jonathan Franzen's Purity, and Gary Shteyngart's Super Sad True Love Story -- 9. Citizen: Claudia Rankine, from the First to the Second Person -- 10. Castrating Blackness: Surveillance, Profiling and Management in the Canadian Context' -- 11. Sousveillance as a Tool in US Civic Polity -- 12. Medical Surveillance and Bodily Privacy: Secret Selves and Graph Diaspora.-.
000807316 506__ $$aAccess limited to authorized users.
000807316 520__ $$aIn a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of ‘self’ and what is ‘seen’. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the ‘selves’ we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies.   .
000807316 588__ $$aOnline resource; title from PDF title page (viewed September 1, 2017)
000807316 650_0 $$aElectronic surveillance$$xGovernment policy.
000807316 650_0 $$aNational security.
000807316 650_0 $$aInternal security.
000807316 650_0 $$aStrategic culture$$zUnited States.
000807316 650_0 $$aSecrecy$$xPolitical aspects.
000807316 7001_ $$aFlynn, Susan,$$eeditor.
000807316 7001_ $$aMackay, Antonia,$$eeditor.
000807316 77608 $$iPrint version:$$z9783319490847
000807316 852__ $$bebk
000807316 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-49085-4$$zOnline Access$$91397441.1
000807316 909CO $$ooai:library.usi.edu:807316$$pGLOBAL_SET
000807316 980__ $$aEBOOK
000807316 980__ $$aBIB
000807316 982__ $$aEbook
000807316 983__ $$aOnline
000807316 994__ $$a92$$bISE