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000807332 020__ $$a9783319552729
000807332 020__ $$a3319552724
000807332 0247_ $$a10.1007/978-3-319-55272-9$$2doi
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000807332 035__ $$aSP(OCoLC)1002334989
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000807332 049__ $$aISEA
000807332 050_4 $$aPN1992.63
000807332 08204 $$a791.4309498$$223
000807332 1001_ $$aStrausz, László.$$eauthor.
000807332 24510 $$aHesitant Histories on the Romanian Screen /$$cby László Strausz.
000807332 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint: Palgrave Macmillan,$$c2017.
000807332 300__ $$a1 online resource (viii, 257 pages) :$$billustrations.
000807332 336__ $$atext$$btxt$$2rdacontent
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000807332 338__ $$aonline resource$$bcr$$2rdacarrier
000807332 347__ $$atext file$$bPDF$$2rda
000807332 5050_ $$a1. Introduction -- 2. Hesitation as an interpretive strategy -- 3. Modernism under construction: films on filmmaking in the Ceaușescu years -- 4. Television as a factory of history: the broadcast of the 1989 Romanian Revolution -- 5. Contesting the canon of the past: state socialism and the regime change in the new Romanian cinema -- 6. Outcasts, fugitives and migrants: mobility and social production of space -- 7. Sanatorium Romania: regulating the body in the hospital, the prison and the convent -- 8. The crisis of masculinity in post-socialist society -- 9. Epilogue: authorial films and genres, festivals and audiences. .
000807332 506__ $$aAccess limited to authorized users.
000807332 520__ $$aThis book argues that hesitation as an artistic and spectatorial strategy connects various screen media texts produced in post-war Romania. The chapters draw a historical connection between films made during the state socialist decades, televised broadcasts of the 1989 Romanian revolution, and films of the new Romanian cinema. The book explores how the critical attitude of new Romanian cinema demonstrates a refusal to accept limiting, binary discourses rooted in Cold War narratives. Strausz argues that hesitation becomes an attempt to overcome restrictive populist narratives of the past and present day. By employing a performative and mobile position, audiences are encouraged to consider conflicting approaches to history and social transformation.
000807332 650_0 $$aCulture$$xStudy and teaching.
000807332 650_0 $$aEthnology$$zEurope.
000807332 650_0 $$aMotion pictures and television.
000807332 650_0 $$aHistoriography.
000807332 650_0 $$aRussia$$xHistory.
000807332 650_0 $$aEurope, Eastern$$xHistory.
000807332 77608 $$iPrint version:$$z9783319552712
000807332 852__ $$bebk
000807332 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-55272-9$$zOnline Access$$91397441.1
000807332 909CO $$ooai:library.usi.edu:807332$$pGLOBAL_SET
000807332 980__ $$aEBOOK
000807332 980__ $$aBIB
000807332 982__ $$aEbook
000807332 983__ $$aOnline
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