000808192 000__ 01688cam\a22004211i\4500 000808192 001__ 808192 000808192 005__ 20210515141326.0 000808192 006__ m\\\\\o\\d\\\\\\\\ 000808192 007__ cr\un\nnnunnun 000808192 008__ 180218s2018\\\\enk\\\\\ob\\\\001\0\eng\d 000808192 020__ $$a9781317192244$$q(electronic book) 000808192 020__ $$a1317192249$$q(electronic book) 000808192 020__ $$z9781138678842 000808192 020__ $$z1138678848 000808192 020__ $$z9781138678859 000808192 020__ $$z1138678856 000808192 035__ $$a(NhCcYBP)EBC5185417 000808192 040__ $$aNhCcYBP$$cNhCcYBP 000808192 050_4 $$aPN1584$$b.P47 2018 000808192 08204 $$a791$$223 000808192 24500 $$aPerforming interdisciplinarity :$$bworking across disciplinary boundaries through an active aesthetic /$$cedited by Experience Bryon. 000808192 264_1 $$aAbingdon, Oxon ;$$aNew York, NY :$$bRoutledge, an imprint of the Taylor & Francis Group,$$c2018. 000808192 300__ $$a1 online resource (xv, 251 pages.) 000808192 336__ $$atext$$btxt$$2rdacontent 000808192 337__ $$acomputer$$bc$$2rdamedia 000808192 338__ $$aonline resource$$bcr$$2rdacarrier 000808192 504__ $$aIncludes bibliographical references and index. 000808192 506__ $$aAccess limited to authorized users 000808192 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000808192 588__ $$aDescription based on print version record. 000808192 650_0 $$aPerforming arts$$xPhilosophy. 000808192 650_0 $$aTheater$$xPhilosophy. 000808192 7001_ $$aBryon, Experience,$$eeditor. 000808192 7102_ $$aProQuest (Firm) 000808192 77608 $$iPrint version:$$z9781138678842$$z1138678848$$z9781138678859$$z1138678856$$w(DLC) 2017023872 000808192 852__ $$bebk 000808192 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5185417$$zOnline Access 000808192 909CO $$ooai:library.usi.edu:808192$$pGLOBAL_SET 000808192 980__ $$aEBOOK 000808192 980__ $$aBIB 000808192 982__ $$aEbook 000808192 983__ $$aOnline