TY  - GEN
N2  - Within the domain of film studies, the recent surge in films depicting graphic and high-impact sex and sexualized violence has been variously classified under the terms transgressive, brutal, provocative, real sex, and extreme cinema. These classifications, however, tend to underplay the films' sociohistorical contexts and reflexive struggle for meaning. We argue that the similarities and differences between these real or simulated sex films are determined and mediated within geographical space and historical time. This work examines this topic.
AB  - Within the domain of film studies, the recent surge in films depicting graphic and high-impact sex and sexualized violence has been variously classified under the terms transgressive, brutal, provocative, real sex, and extreme cinema. These classifications, however, tend to underplay the films' sociohistorical contexts and reflexive struggle for meaning. We argue that the similarities and differences between these real or simulated sex films are determined and mediated within geographical space and historical time. This work examines this topic.
T1  - Real sex films :the new intimacy and risk in cinema /
AU  - Tulloch, John,
AU  - Middleweek, Belinda,
CN  - Oxford Scholarship Online
CN  - PN1995.9.S47
ID  - 808561
KW  - Sex role in motion pictures.
KW  - Sex in motion pictures.
KW  - Motion pictures and globalization.
KW  - Feminism and motion pictures.
KW  - Feminist film criticism.
SN  - 9780190244644
TI  - Real sex films :the new intimacy and risk in cinema /
LK  - https://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oso/9780190244606.001.0001
UR  - https://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oso/9780190244606.001.0001
ER  -