000808830 000__ 03562cam\a2200421\i\4500 000808830 001__ 808830 000808830 005__ 20210515141457.0 000808830 008__ 161202t20172017enk\\\\\\b\\\\001\0\eng\c 000808830 019__ $$a964924323$$a1005134099 000808830 020__ $$a9781107184459$$q(hardcover) 000808830 020__ $$a1107184452$$q(hardcover) 000808830 020__ $$a9781316635711$$q(paperback) 000808830 020__ $$a1316635716$$q(paperback) 000808830 035__ $$a(OCoLC)ocn964932993 000808830 035__ $$a808830 000808830 040__ $$aYDX$$beng$$erda$$cYDX$$dUAB$$dOCLCF$$dZLM$$dIAK$$dLGG$$dWEA$$dOCLCO$$dMUU$$dUEJ$$dCHVBK$$dLMR$$dGPM$$dIBI$$dOCLCO$$dOBE$$dA7U 000808830 042__ $$apcc 000808830 043__ $$an-us--- 000808830 049__ $$aISEA 000808830 050_4 $$aPS228.B6$$bC35 2017 000808830 08204 $$a810.9/0054$$223 000808830 24504 $$aThe Cambridge companion to the Beats /$$cedited by Steven Belletto (Lafayette College). 000808830 24630 $$aBeats 000808830 264_1 $$aCambridge :$$bCambridge University Press,$$c2017. 000808830 300__ $$axxviii, 297 pages ;$$c24 cm. 000808830 336__ $$atext$$btxt$$2rdacontent 000808830 337__ $$aunmediated$$bn$$2rdamedia 000808830 338__ $$avolume$$bnc$$2rdacarrier 000808830 4901_ $$aCambridge companions 000808830 4901_ $$aCambridge companions to topics 000808830 504__ $$aIncludes bibliographical references (pages 279-283) and index. 000808830 50500 $$gIntroduction.$$tThe Beat half-century /$$rSteven Belletto --$$tWere Jack Kerouac, Allen Ginsberg, and William S. Burroughs a generation? /$$rWilliam Lawlor --$$tBeatniks, hippies, yippies, feminists, and the ongoing American counterculture /$$rJonah Raskin --$$tLocating a Beat aesthetic /$$rRegina Weinreich --$$tThe Beats and literary history : myths and realities /$$rNancy M. Grace --$$tAllen Ginsberg and Beat poetry /$$rErik Mortenson --$$tFive ways of being Beat, circa 1958-59 /$$rSteven Belletto --$$tJack Kerouac and the Beat novel /$$rKurt Hemmer --$$tWilliam S. Burroughs : Beating postmodernism /$$rOliver Harris --$$tMemory babes : Joyce Johnson and Beat memoir /$$rBrenda Knight --$$tBeat writers and criticism /$$rHilary Holladay --$$tThe Beats and gender /$$rRonna C. Johnson --$$tThe Beats and sexuality /$$rPolina Mackay --$$tThe Beats and race /$$rA. Robert Lee --$$tEthnographers and networks : on Beat transnationalism /$$rTodd. F. Tietchen --$$tBuddhism and the Beats /$$rJohn Whalen-Bridge --$$tBeat as beatific : Gregory Corso's Christian poetics /$$rKirby Olson --$$tJazz and the Beat Generation /$$rMichael Hrebeniak --$$tThe Beats and visual culture /$$rDavid Sterritt. 000808830 520__ $$aThe Cambridge Companion to the Beats offers an in-depth overview of one of the most innovative and popular literary periods in America, the Beat era. The Beats were a literary and cultural phenomenon originating in New York City in the 1940s that reached worldwide significance. Although its most well-known figures are Jack Kerouac, Allen Ginsberg, and William S. Burroughs, the Beat movement radiates out to encompass a rich diversity of figures and texts that merit further study. Consummate innovators, the Beats had a profound effect not only on the direction of American literature, but also on models of socio-political critique that would become more widespread in the 1960s and beyond. Bringing together the most influential Beat scholars writing today, this Companion provides a comprehensive exploration of the Beat movement, asking critical questions about its associated figures and arguing for their importance to postwar American letters. 000808830 650_0 $$aBeats (Persons)$$xHistory and criticism. 000808830 650_0 $$aAmerican literature$$y20th century$$xHistory and criticism. 000808830 7001_ $$aBelletto, Steven,$$eeditor. 000808830 830_0 $$aCambridge companions to topics. 000808830 830_0 $$aCambridge companions. 000808830 85200 $$bgen$$hPS228.B6$$iC35$$i2017 000808830 909CO $$ooai:library.usi.edu:808830$$pGLOBAL_SET 000808830 980__ $$aBIB 000808830 980__ $$aBOOK