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000809006 020__ $$a9781474295208$$q(hardcover)
000809006 020__ $$a1474295207$$q(hardcover)
000809006 020__ $$a9781474295192$$q(paperback)
000809006 020__ $$a1474295193$$q(paperback)
000809006 020__ $$z9781474295239$$q(electronic book)
000809006 020__ $$z9781474295215$$q(ePub)
000809006 035__ $$a(OCoLC)ocn985263140
000809006 035__ $$a809006
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000809006 050_4 $$aPN4834$$b.G4713 2017
000809006 08204 $$a070.4/9$$223
000809006 1001_ $$aGervais, Thierry,$$eauthor.
000809006 24010 $$aFabrique de l'information visuelle.$$lEnglish
000809006 24514 $$aThe making of visual news :$$ba history of photography in the press /$$cThierry Gervais ; in collaboration with Gaëlle Morel ; translated by John Tittenson.
000809006 24630 $$aHistory of photography in the press
000809006 264_1 $$aLondon :$$bBloomsbury,$$c[2017]
000809006 300__ $$axii, 228 pages :$$billustrations, facsimiles, portraits ;$$c23 cm
000809006 336__ $$atext$$btxt$$2rdacontent
000809006 336__ $$astill image$$bsti$$2rdacontent
000809006 337__ $$aunmediated$$bn$$2rdamedia
000809006 338__ $$avolume$$bnc$$2rdacarrier
000809006 500__ $$aFirst published in French in 2015.
000809006 500__ $$a"Bloomsbury Academic"--Title page verso.
000809006 504__ $$aIncludes bibliographical references (pages 211-219) and index.
000809006 5050_ $$aIntroduction -- The invention of the Magazine (1843-1918) -- General news magazines: European know-how (1919-1936) -- The Life model and the standardization of news magazines (1936-1976) -- Conclusion.
000809006 520__ $$aThe Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustrirte Zeitung and VU. It examines how photographs were employed to attract new readers throughout the twentieth century, arguing that photography was the main tool by which news editors sought to communicate the news and attract a broader readership. Looking beyond the roles of photographer and journalist, this study also highlights the contributions of picture editors and artistic directors; by commissioning photographs and incorporating images into magazine layouts, these figures played critical but often overlooked roles in the construction of visual news, even as they crafted unique styles for their publications. Charting changes in technology and reportage, as well as broader social and political histories, The Making of Visual News offers new insight into the history of photojournalism, making this an essential resource for students and scholars of photojournalism and the history of photography, media and culture.
000809006 546__ $$aTranslated from the French.
000809006 650_0 $$aIllustrated periodicals$$xHistory.
000809006 650_0 $$aPhotojournalism$$xHistory.
000809006 650_0 $$aPhotography$$xSocial aspects$$xHistory.
000809006 650_0 $$aPress and propaganda$$xHistory.
000809006 7001_ $$aMorel, Gaëlle,$$econtributor.
000809006 7001_ $$aTittenson, John,$$etranslator.
000809006 85200 $$bgen$$hPN4834$$i.G4713$$i2017
000809006 909CO $$ooai:library.usi.edu:809006$$pGLOBAL_SET
000809006 980__ $$aBIB
000809006 980__ $$aBOOK