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000809022 001__ 809022
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000809022 010__ $$a  2014039109
000809022 019__ $$a895117661$$a895728281$$a930771543
000809022 020__ $$a9781438454382$$q(paperback)
000809022 020__ $$a1438454384$$q(paperback)
000809022 020__ $$a9781438454399$$q(hardcover)
000809022 020__ $$a1438454392$$q(hardcover)
000809022 035__ $$a(OCoLC)ocn894128432
000809022 035__ $$a809022
000809022 040__ $$aDLC$$beng$$erda$$cDLC$$dYDX$$dYDXCP$$dBTCTA$$dBDX$$dNYP$$dOCLCF$$dCDX$$dCOO$$dFJD$$dZCU$$dNHA$$dSAD$$dHCD$$dS3O$$dOCLCQ$$dORZ$$dVP@$$dCTU$$dSFR$$dHTC$$dDE#$$dOCLCQ$$dOBE$$dIGA
000809022 042__ $$apcc
000809022 043__ $$an-us---
000809022 049__ $$aISEA
000809022 05000 $$aPS509.F44$$bT5 2015
000809022 08200 $$a810.8/09287$$223
000809022 24500 $$aThis bridge called my back :$$bwritings by radical women of color /$$cedited by Cherríe Moraga and Gloria Anzaldúa.
000809022 24630 $$aWritings by radical women of color
000809022 250__ $$aFourth edition.
000809022 264_1 $$aAlbany, NY :$$bState University of New York (SUNY) Press,$$c[2015]
000809022 300__ $$axlvii, 286 pages :$$billustrations ;$$c23 cm
000809022 336__ $$atext$$btxt$$2rdacontent
000809022 337__ $$aunmediated$$bn$$2rdamedia
000809022 338__ $$avolume$$bnc$$2rdacarrier
000809022 504__ $$aIncludes bibliographical references.
000809022 50500 $$gArtwork --$$tCatching fire : preface to the fourth edition /$$rCherríe Moraga --$$tActs of healing /$$rGloria Anzaldúa and The Gloria E. Anzaldúa Literary Trust --$$gForeword to the first edition, 1981 /$$rToni Cade Bambara --$$tThe bridge poem /$$rKate Rushin --$$tLa jornada : preface, 1981 /$$rCherríe Moraga --$$gIntroduction, 1981 /$$rCherríe Moraga and Gloria Anzaldúa --$$gI.$$tChildren Passing in the Streets : The Roots of Our Radicalism. --$$tWhen I was growing up /$$rNellie Wong --$$ton not bein /$$rmary hope whitehead lee --$$tFor the color of my mother /$$rCherríe Moraga --$$tI am what I am /$$rRosario Morales --$$tDreams of violence /$$rNaomi Littlebear Morena --$$tHe saw /$$rChrystos --$$gII.$$tEntering the Lives of Others : Theory in the Flesh. --$$tWonder woman /$$rGenny Lim --$$tLa güera /$$rCherríe Moraga --$$tInvisibility is an unnatural disaster : reflections of an Asian American woman /$$rMitsuye Yamada --$$tIt's in my blood, my face-my mother's voice, the way I sweat /$$rAnita Valerio --$$t"Gee you don't seem like an Indian from the reservation" /$$rBarbara Cameron --$$t"...And even Fidel can't change that!" /$$rAurora Levins Morales --$$tI walk in the history of my people /$$rChrystos --$$gIII.$$tAnd When You Leave, Take Your Pictures With You : Racism in the Women's Movement.--$$tAnd when you leave, take your pictures with you /$$rJo Carillo --$$tBeyond the cliffs of Abiquiu /$$rJo Carillo --$$tI don't understand those who have turned away from me /$$rChrystos --$$tAsian Pacific women and feminism /$$rMitsuye Yamada --$$t"But I know you, American woman" /$$rJudit Moschkovich --$$tThe Black back-ups /$$rKate Rushin --$$tThe pathology of racism : a conversation with third world wimmin /$$rdoris davenport --$$tWe're all in the same boat /$$rRosario Morales --$$tAn open letter to Mary Daly /$$rAudre Lorde --$$tThe master's tools will never dismantle the master's house /$$rAudre Lorde --$$gIV.$$tBetween the Lines : On Culture, Class, and Homophobia. --$$tThe other heritage /$$rRosario Morales --$$tThe tired poem : last letter from a typical (unemployed) Black professional woman /$$rKate Rushin --$$tTo be continued... /$$rKate Rushin --$$tAcross the kitchen table : a sister-to-sister dialogue /$$rBarbara Smith and Beverly Smith --$$tLesbianism : an act of resistance /$$rCheryl Clarke --$$tLowriding through the women's movement /$$rBarbara Noda --$$tLetter to ma /$$rMerle Woo --$$tI come with no illusions /$$rMirtha N. Quintanales --$$tI paid very hard for my immigrant ignorance /$$rMirtha N. Quintanales --$$tEarth-lover, survivor, musician /$$rNaomi Littlebear Morena --$$gV.$$tSpeaking in Tongues : The Third World Woman Writer.--$$tSpeaking in tongues : a letter to third world women writers /$$rGloria Anzaldúa --$$tMillicent Fredericks /$$rGabrielle Daniels --$$tIn Search of the self as hero : confetti of voices on New Year's night, a letter to myself /$$rNellie Wong --$$tChicana's feminist literature : a re-vision through Malintzin/or Malintzin putting flesh back on the object /$$rNorma Alarcón --$$tCeremony for completing a poetry reading /$$rChrystos --$$gVI.$$tEl Mundo Zurdo : The Vision. --$$tGive me back /$$rChrystos --$$tLa prieta /$$rGloria Anzaldúa --$$tA Black feminist statement /$$rCombahee River Collective --$$tThe welder /$$rCherríe Moraga --$$tO.K. momma, who the hell am I? : an interview with Luisah Teish /$$rGloria Anzaldúa --$$tBrownness /$$rAndrea Canaan --$$tRevolution : it's not neat or pretty or quick /$$rPat Parker --$$tNo rock scorns me as whore /$$rChrystos --$$gAppendix.$$tAfterword : On the fourth edition /$$rCherríe Moraga --$$gForeword to the second edition, 1983 /$$rGloria Anzaldúa --$$tRefugees of a world on fire : foreword to the second edition, 1983 /$$rCherríe Moraga --$$tCounsels from the firing...past, present, future : foreword to the third edition, 2001 /$$rGloria Anzaldúa.
000809022 520__ $$a"Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, "the complex confluence of identities--race, class, gender, and sexuality--systemic to women of color oppression and liberation.""--Page 4 of cover.
000809022 650_0 $$aFeminism$$vLiterary collections.
000809022 650_0 $$aWomen$$zUnited States$$vLiterary collections.
000809022 650_0 $$aAmerican literature$$xMinority authors.
000809022 650_0 $$aMinority women$$vLiterary collections.
000809022 650_0 $$aAmerican literature$$xWomen authors.
000809022 650_0 $$aRadicalism$$vLiterary collections.
000809022 7001_ $$aMoraga, Cherríe,$$eeditor.
000809022 7001_ $$aAnzaldúa, Gloria,$$eeditor.
000809022 85200 $$bgen$$hPS509.F44$$iT5$$i2015
000809022 909CO $$ooai:library.usi.edu:809022$$pGLOBAL_SET
000809022 980__ $$aBIB
000809022 980__ $$aBOOK