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000811797 001__ 811797
000811797 005__ 20210515142307.0
000811797 008__ 160607s2016\\\\enkag\\\\b\\\\001\0\eng\\
000811797 010__ $$a  2016026629
000811797 020__ $$a9781107094512$$q(hardcover)
000811797 020__ $$a1107094518$$q(hardcover)
000811797 020__ $$a9781107476493$$q(paperback)
000811797 020__ $$a1107476496$$q(paperback)
000811797 020__ $$a9781316146781
000811797 020__ $$a1316146782
000811797 035__ $$a(OCoLC)ocn951557385
000811797 035__ $$a811797
000811797 040__ $$aDLC$$beng$$erda$$cDLC$$dOCLCF$$dYDXCP$$dBTCTA$$dERASA$$dCHVBK$$dCDX$$dYDX$$dTJC$$dJHP$$dNHM$$dZWZ$$dUWO$$dOCLCO$$dXFF$$dMNO$$dSTF
000811797 042__ $$apcc
000811797 049__ $$aISEA
000811797 05000 $$aML2075$$b.C3545 2016
000811797 08200 $$a781.5/42$$223
000811797 24504 $$aThe Cambridge companion to film music /$$cedited by Mervyn Cooke and Fiona Ford.
000811797 264_1 $$aCambridge, United Kingdom :$$bCambridge University Press,$$c[2016]
000811797 300__ $$axxi, 411 pages :$$billustrations, music ;$$c25 cm.
000811797 336__ $$atext$$btxt$$2rdacontent
000811797 337__ $$aunmediated$$bn$$2rdamedia
000811797 338__ $$avolume$$bnc$$2rdacarrier
000811797 4901_ $$aCambridge companions to music
000811797 504__ $$aIncludes bibliographical references (pages 356-394) and index.
000811797 50500 $$gPart one :$$tMaking film music.$$tEvolving practices for film music and sound, 1925-1935 /$$rJames Buhler and Hannah Lewis --$$t"Pictures that talk and sing" : sound history and technology /$$rDavid Cooper --$$tThe composer and the studio : Korngold and Warner Bros. /$$rBen Winters --$$tCan't buy me love? : economic imperatives and artistic achievements in the British pop-music film /$$rStephen Glynn --$$t"A film's first audience" : the composer's role in film and television /$$rGeorge Fenton in conversation with Mervyn Cooke.
000811797 50500 $$gPart two :$$tApproaching film music.$$tFilm-music theory /$$rGuido Heldt --$$tStudying film scores : working in archives and with living composers /$$rKate Daubney --$$tReturning to Casablanca /$$rPeter Franklin --$$tParental guidance advised? : mash-ups and mating penguins in Happy feet /$$rFiona Ford --$$tMaterializing film music /$$rMiguel Mera.
000811797 50500 $$gPart three :$$tGenre and idiom.$$tFilm noir and music /$$rDavid Butler --$$tAnother other history of jazz in the movies /$$rKrin Gabbard --$$tHorror and science fiction /$$rStan Link --$$tThe Western /$$rRobynn J. Stilwell --$$tThe music of screen musicals /$$rCaryl Flinn --$$t"Britannia-The musical" : scores, songs and soundtracks in British animation /$$rPaul Wells.
000811797 50500 $$gPart four :$$tMusic in world cinemas.$$tLeone, Morricone and the Italian way to Revisionist Westerns /$$rSergio Miceli --$$tMusic, noise and silence in the late cinema of Jean-Luc Godard / $r Danae Stefanou --$$tHans Werner Henze and The lost honour of Katharina Blum /$$rAnnette Davison --$$tTōru Takemitsu's collaborations with Masahiro Shinoda : the music for Pale flower, Samurai spy and Ballad of Orin /$$rTimothy Koozin --$$tWelcome to Kollywood : Tamil film music and popular culture in South India /$$rMekala Padmanabhan.
000811797 520__ $$aHis wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western.
000811797 650_0 $$aMotion picture music$$xHistory and criticism.
000811797 7001_ $$aCooke, Mervyn.
000811797 7001_ $$aFord, Fiona.
000811797 830_0 $$aCambridge companions to music.
000811797 85200 $$bgen$$hML2075$$i.C3545$$i2016
000811797 85642 $$3Contributor biographical information$$uhttps://www.loc.gov/catdir/enhancements/fy1618/2016026629-b.html
000811797 85642 $$3Publisher description$$uhttps://www.loc.gov/catdir/enhancements/fy1618/2016026629-d.html
000811797 85641 $$3Table of contents only$$uhttps://www.loc.gov/catdir/enhancements/fy1618/2016026629-t.html
000811797 909CO $$ooai:library.usi.edu:811797$$pGLOBAL_SET
000811797 980__ $$aBIB
000811797 980__ $$aBOOK