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000812067 020__ $$a9780199338627$$q(electronic book)
000812067 035__ $$a(StDuBDS)EDZ0001800008
000812067 040__ $$aStDuBDS$$beng$$cStDuBDS$$erda$$epn
000812067 050_0 $$aGV1782.5$$b.O84 2017
000812067 08204 $$a792.809$$223
000812067 1001_ $$aFranko, Mark,$$eauthor.
000812067 24514 $$aThe Oxford handbook of dance and reenactment /$$cMark Franko.
000812067 24630 $$aHandbook of dance and reenactment
000812067 24630 $$aDance and reenactment
000812067 264_1 $$aNew York :$$bOxford University Press,$$c2017.
000812067 300__ $$a1 online resource :$$billustrations.
000812067 336__ $$atext$$2rdacontent
000812067 336__ $$astill image$$2rdacontent
000812067 337__ $$acomputer$$2rdamedia
000812067 338__ $$aonline resource$$2rdacarrier
000812067 4901_ $$aOxford handbooks online
000812067 504__ $$aIncludes bibliographical references and index.
000812067 50500 $$tIntroduction: The Power of Recall in A Post-Ephemeral Era /$$rMark Franko --$$tBound and Unbound: Reconstructing Merce Cunningham's Crises (1960) /$$rCarrie Noland --$$tReenacting Modernist Time: William Kentridge's The Refusal of Time /$$rCrystal Staelpart --$$tBlasting out of the Past: the Politics of History and Memory in Janez's  Reconstructions /$$rRamsay Burt --$$tReenactment, Reconstruction and Dance Historical Fictions /$$rAnna Pakes --$$tTracing Sense/Reading Sensation: an essay on imprints and other matter /$$rMartin Nachbar --$$t(Re)enacting Thinking in Movement /$$rMaaike Bleeker --$$tImagined Re-embodiment between Text and Dance /$$rSusan Jones --$$tReenactment as Racialized Scandal /$$rAnthea Kraut --$$tQuito-Brussels: A Dancer's Cultural Geography /$$rFabian Barba --$$tMartha@...The 1963 Interview - Sonic Bodies, Seizures and Spell /$$rRichard Move --$$t(In)distinct Positions: The Politics of Theorizing Choreography /$$rJens Giersdorf --$$tBaroque Relations: Performing Silver and Gold in Daniel Rabel's Ballets of the Americas /$$rVirginia K. Preston --$$tGiving Sense to the Past: Historical D(ist)ance and the Chiasmatic Interlacing of Affect and Knowledge /$$rTimmy de Laet --$$tThe Motion of Memory, the Question of History. Recreating Rudolf Laban's Choreographic Legacy /$$rSusanne Franco --$$tTo the Letter: Lettrism, Dance, Reenactment /$$rFrédéric Pouillaude --$$tLetters to Lila and Dramaturg's Notes on Future Memory: Inheriting Dance's Alternative Histories /$$rKate Elswit, Rani Nair --$$tNot Made by Hand, or Arm, or Leg...: The Acheiropoietics of Performance /$$rBranislav Jakovljević --$$tWhat Remains in/of Testimony? On the Transmission of Personal Knowledge in Reconstruction and Reenactment /$$rSusanne Foellmer --$$tGloriously Inept and Satisfyingly True: Reenactment and the Practice of Spectating /$$rP.A. Skantze --$$tDance and the Distributed Body: Odissi and Mahari Performance /$$rAnurima Banerji --$$tEpilogue to an Epilogue: Historicizing the Re- in Danced Reenactment /$$rMark Franko --$$tThe Time of Reenactment in Basse Danse and Bassadanza /$$rSeeta Chaganti --$$tTime Layers, Time Leaps, Time Lost. Methodologies of Dance Historiography /$$rChristina Thurner --$$tDance (Re)searching its Own History: On the Contemporary Circulation of Past Knowledge /$$rSabine Huschka --$$tReenacting Ritual Dance-Theater of India: The case of Kaisika Natakam /$$rKetu H. Katrak, Anita Ratnam --$$tPedagogic In(ter)ventions: On the Potential of (Re)enacting Yvonne Rainer's Continuous Project-Altered Daily (1969/70) in a Dance Education Context /$$rYvonne Hardt --$$tAffect, Technique, and Discourse: Being Actively Passive in the Face of History: Reconstruction of Reconstruction /$$rGerald Siegmund --$$tA Proposition for Reenactment: Disco Angola by Stan Douglas /$$rCatherine Soussloff --$$tScenes of Reenactment/Logics of Derivation in Dance /$$rRandy Martin.
000812067 506__ $$aAccess limited to authorized users.
000812067 5208_ $$aThis handbook investigates new forms of choreographic dramaturgy and interpretation inherent. Joining junior and senior scholars as well as practitioners in the field, the author shows how the recovery of past dances has come to constitute a new branch of contemporary choreographic activity.
000812067 588__ $$aDescription based on online resource; title from home page (viewed on December 1, 2017).
000812067 650_0 $$aChoreography.
000812067 650_0 $$aDance$$xHistory.
000812067 650_0 $$aDance$$xStudy and teaching.
000812067 77608 $$iPrint version:$$z9780199314201
000812067 830_0 $$aOxford handbooks.
000812067 85280 $$bebk$$hOxford Handbooks Online
000812067 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oxfordhb/9780199314201.001.0001$$zOnline Access
000812067 909CO $$ooai:library.usi.edu:812067$$pGLOBAL_SET
000812067 980__ $$aEBOOK
000812067 980__ $$aBIB
000812067 982__ $$aEbook
000812067 983__ $$aOnline