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Table of Contents
Introduction: colonial power and aesthetic practice
Part 1. Warriors. Maa warriorhood and British colonial discource.
Idoma warriorhood and the Pax Britannica
Part 2. Sculptors and smiths. Colonial rupture and innovation: the colonizer as inadvertent patron
Samburu smiths, Idoma maskmakers: power at a distance
Part 3. Masks, spears, the body. Mask and spear: art, thing, commodity
Warrior theatre and the ritualized body
Part 4. Commodities. Idoma sculpture: colonialism and the market for African art
Samburu encounters with modernity: spears as tourist souvenirs
Samburu warriors in Hollywood films: cinematic commodities
Reprise: the three C's: colonialism, commidities, and complex representations
Coda: from spears to guns in the North Rift.
Part 1. Warriors. Maa warriorhood and British colonial discource.
Idoma warriorhood and the Pax Britannica
Part 2. Sculptors and smiths. Colonial rupture and innovation: the colonizer as inadvertent patron
Samburu smiths, Idoma maskmakers: power at a distance
Part 3. Masks, spears, the body. Mask and spear: art, thing, commodity
Warrior theatre and the ritualized body
Part 4. Commodities. Idoma sculpture: colonialism and the market for African art
Samburu encounters with modernity: spears as tourist souvenirs
Samburu warriors in Hollywood films: cinematic commodities
Reprise: the three C's: colonialism, commidities, and complex representations
Coda: from spears to guns in the North Rift.