000812364 000__ 03177cam\a2200469Mc\4500 000812364 001__ 812364 000812364 005__ 20210515142514.0 000812364 006__ m\\\\\o\\d\\\\\\\\ 000812364 007__ cr\un\nnnunnun 000812364 008__ 180424s2013\\\\inua\\\\ob\\\\001\0\eng\d 000812364 019__ $$a845254602$$a846985908$$a870334177$$a960203279$$a961638352$$a988415114$$a991964366$$a1000426200$$a1004390105$$a1018085046$$a1013185211$$a1018085046 000812364 020__ $$a9780253006998$$q(electronic book) 000812364 020__ $$a0253006996$$q(electronic book) 000812364 020__ $$z9780253006875 000812364 020__ $$z0253006872 000812364 020__ $$z9780253006912 000812364 020__ $$z0253006910 000812364 035__ $$a(OCoLC)ocn844235363 000812364 035__ $$a812364 000812364 040__ $$aN$$T$$beng$$epn$$cN$T$$dYDXCP$$dOCLCF$$dMHW$$dMEAUC$$dCGU$$dP@U$$dCOO$$dE7B$$dJSTOR$$dOCLCQ$$dS4S$$dK6U$$dOCLCQ$$dOCL$$dCUS$$dOCLCQ$$dLOA$$dOCLCQ$$dAZK$$dLTP$$dCOCUF$$dMOR$$dCCO$$dPIFAG$$dZCU$$dMERUC$$dOCLCQ$$dIOG$$dOCL$$dOCLCA$$dBUF$$dEZ9 000812364 049__ $$aISEA 000812364 050_4 $$aN7380$$b.A55 2013eb 000812364 08204 $$a709.6$$223 000812364 24500 $$aAfrican art, interviews, narratives :$$bbodies of knowledge at work /$$cedited by Joanna Grabski and Carol Magee. 000812364 260__ $$aBloomington, Ind. :$$bIndiana University Press,$$c2013 000812364 300__ $$a1 online resource (viii, 194 pages)$$billustrations. 000812364 336__ $$atext$$btxt$$2rdacontent 000812364 337__ $$acomputer$$bc$$2rdamedia 000812364 338__ $$aonline resource$$bcr$$2rdacarrier 000812364 4901_ $$aAfrican expressive cultures 000812364 504__ $$aIncludes bibliographical references and index. 000812364 50500 $$tIntroduction: the work of interviews /$$rCarol Magee and Joanna Grabski --$$tTalking to people about art /$$rPatrick McNaughton --$$tGhostly stories: interviews with artists in Dakar and the productive space around absence /$$rJoanna Grabski --$$tCan the artist speak?: Hamid Kachmar's subversive redemptive art of resistance /$$rJoseph Jordan --$$tPhotography, narrative inventions, and (cross) cultural representations /$$rCarol Magee --$$tNarrating the artist: Seyni Camara and the multiple constructions of the artistic persona /$$rSilvia Forni --$$tInterview: Akinbode Akinbiyi /$$rAkinbode Akinbiyi --$$tInterweaving narratives of art and activism: Sandra Kriel's heroic women /$$rKim Miller --$$tPolitics of narrative at the African burial ground in New York City: the final monument /$$rAndrea E. Frohne --$$tWho owns the past?: constructing an art history of a Malian masquerade /$$rMary Jo Arnoldi --$$tFraming practices: artists' voices and the power of self-representation /$$rChristine Mullen Kreamer --$$tUndisciplined knowledge /$$rAllan deSouza and Allyson Purpura. 000812364 506__ $$aAccess limited to authorized users. 000812364 650_0 $$aArtists$$zAfrica$$vInterviews. 000812364 650_0 $$aArt, African$$xHistory$$y21st century. 000812364 7001_ $$aGrabski, Joanna. 000812364 7001_ $$aMagee, Carol L. 000812364 77608 $$iPrint version:$$tAfrican art, interviews, narratives.$$dBloomington, Ind. : Indiana University Press, 2013$$w(DLC) 2013935556 000812364 830_0 $$aAfrican expressive cultures. 000812364 852__ $$bacq 000812364 85280 $$bebk$$hProQuest Ebook Central 000812364 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=http://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=1183991$$zOnline Access 000812364 909CO $$ooai:library.usi.edu:812364$$pGLOBAL_SET 000812364 980__ $$aEBOOK 000812364 980__ $$aBIB 000812364 982__ $$aEbook 000812364 983__ $$aOnline