@article{812389,
      recid = {812389},
      author = {Fernández Aparicio, Carmen, and Gálan Martín, Belén, and  Palermo, Charles, and Portabella, Pere, and Carillo,  Jesâus. and Guerrero-Strachan, J. and Miró, Joan,},
      title = {Miró : the experience of seeing : late works, 1963-1981 /},
      pages = {103 pages :},
      note = {"Published by the Seattle Art Museum in collaboration with  the Museo Nacional Centro de Arte Reina Sofia and in  assocation with Yale University Press, New Haven and  London."},
      abstract = {"This groundbreaking publication offers a reassessment of  renowned modernist Joan Miró's late-career works, created  between 1963 and 1981. This body of work, almost entirely  unknown in the United States, showcases Miró's exceptional  ingenuity as both a painter and sculptor. Miró: The  Experience of Seeing includes color illustrations of nearly  50 paintings, drawings, and sculptures that show the  breadth and contrast of this body of work-from bold,  colorful canvases with expressive gestures to the most  minimal calligraphic markings on white fields. His  sculptures made of found objects are a revelation.  Comparisons between paintings and sculptures highlight  startling connections between shapes and symbols that Miró;  used in each medium. These mature works represent the  culmination of the artist's development of an innovative  and personal visual language. Engaging texts, including a  contribution by noted Spanish filmmaker Pere Portabella,  explain Miró's role as a political figure and his quest to  speak about the most intangible subjects through the  materiality of objects and the painted gesture. This  important new examination of Miró's later work allows for a  richer, deeper understanding of this significant modern  artist's distinguished career"--},
      url = {http://library.usi.edu/record/812389},
}