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Preface
Introduction : Migrant Lives and the Promise of Documentation
Part I. Ordinary Identifications and Unseen America. "We See What We Know" : Migrant Labor and the Place of Pictures
The Border's Frame : Between Poughkeepsie and La Ciénega
Part II. Documentary, Self-Representation, and "Collaborations" in the U.S.-Mexico Borderlands. Visible Frictions : The Border Film Project and the "Spectacle of Surveillance"
Refusing Disposability : Representational Strategies in Maquilápolis : City of Factories
Part III. Counter-Optics : Disruptions in the Field of the Visible. Disappearance and Counter-Spectacle in Sanctuary City/Ciudad Santuario, 1989-2009
Reconfiguring Documentation : Mobility, Counter-Visibility, and (Un)Documented Activism
Conclusion : Counter-Representational Acts.

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