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000812886 001__ 812886
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000812886 019__ $$a1030531128
000812886 020__ $$a9784866580203$$q(hardcover)
000812886 020__ $$a4866580208$$q(hardcover)
000812886 035__ $$a(OCoLC)on1030442817
000812886 035__ $$a812886
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000812886 0411_ $$aeng$$hjpn
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000812886 050_4 $$aBH221.J3$$bT3513 2018
000812886 08204 $$a701.170952$$223
000812886 1001_ $$aTakashina, Shūji,$$d1932-$$eauthor.
000812886 24010 $$aNihonjin ni totte utsukushisa to wa nani ka.$$lEnglish
000812886 24514 $$aThe Japanese sense of beauty /$$cTakashina Shūji ; translated by Matt Treyvaud.
000812886 2461_ $$iAlso known as:$$aWhat is beauty in the Japanese art?
000812886 250__ $$aFirst English edition.
000812886 264_1 $$aTokyo :$$bJapan Publishing Industry Foundation for Culture,$$c2018.
000812886 300__ $$a16 color plates, 17-255 pages :$$billustrations (some color) ;$$c22 cm.
000812886 336__ $$atext$$btxt$$2rdacontent
000812886 337__ $$aunmediated$$bn$$2rdamedia
000812886 338__ $$avolume$$bnc$$2rdacarrier
000812886 4901_ $$aJapan library
000812886 500__ $$a"Originally published in Japanese under the title of Nihonjin ni totte utsukushisa to wa nanika by Chikumashobo Ltd., in 2015"--Title page verso.
000812886 500__ $$aIncludes new preface to English edition.
000812886 504__ $$aIncludes bibliographical references.
000812886 5050_ $$aWord and image : the Japanese aesthetic consciousness -- The Kokin Wakashū and Japanese aesthetics -- The significance of Imperial Waka anthologies -- Crossing the word-image border -- Sori : a plastic sensitivity -- European curves, Japanese Sori -- The plasticity of Hiragana -- Comparing Japanese and Western architecture -- What is a Torii? -- Closeness to nature in Japanese aesthetics -- The four seasons in Japanese painting -- Emoji, Moji-e, and play -- Word and image together -- Chirashigaki and Kaeshigaki -- The uniqueness of Chinese characters in Japan -- Word and image in handcraft design -- Fujiwara no Teika's aesthetics of rejection -- Ariwara no Narihira's "Eight Bridges" -- Ono no Komachi's "Color of the Flowers" -- Word and image separated : text design in the West -- Word and image in comics -- Poems and pictures today -- Japanese beauty, Western beauty -- East meets West : forms of expression in Japanese and Western art -- The discovery of Japan's aesthetic consciousness -- The introduction of Western painting techniques to Japan -- Two forms of expression -- The aesthetics of omission and the close-up -- Contrasting principles -- Design in Japanese art -- The dawn of Japanese oil painting -- Sentiment and sensibility : beneath the surface of Wasei Yuga -- Japan and the West in the art of Takeuchi Seihō -- Roots of the Japanese aesthetic consciousness -- Word and image -- Chinese characters and the Japanese language -- The culture of name succession -- The aesthetics of the margin -- Postcards and place -- Gagaku without Gagaku -- Canonical beauty and situational beauty -- Taikan and Fuji -- Whither Passing Spring? -- School songs and musical education -- Fukuzawa Yukichi, traditionalist -- Blossoms of devotion : Goshun, Buson, and the white plum -- Dragons, tigers, and museums -- Interpretation as transformation -- Interpretation as creative act -- Bridges and the Japanese -- The glittering vague -- Travel, east and west -- Tokyo Station and the culture of travel -- Robots and Japanese culture -- Mount Fuji as world cultural heritage.
000812886 520__ $$a"What makes Japanese art unique? In The Japanese Sense of Beauty, art critic and historian Takashina Shūji reflects on the aesthetic and philosophical sensibilities underlying Japanese art throughout its history, from the earliest calligraphy and painted screens to modern masters like Hishida Shunsō and Yokoyama Taikan. Along the way, Takashina explores themes such as the relationship between subjective perspective and "flat" composition and the playful intermingling of word and image throughout the plastic arts of Japan. He also offers fresh critical perspectives on many individual artists, including Takeuchi Seihō, one of the first to fuse traditional techniques with Western realism, and Takahashi Yuichi, who combined a vivid mastery of texture with deceptively traditionalist compositions. Other essays in this wide-ranging collection touch on everything from the symbolism of Mount Fuji to the ancient music known as gagaku, showing how even the most disparate topics can shed new light on what is essential to Japanese culture. The Japanese Sense of Beauty is an important contribution to the study of aesthetics and cultural history, offering insights that will change the way you think about Japanese art." -- Publisher's description
000812886 546__ $$aTranslated from the Japanese.
000812886 650_0 $$aAesthetics, Japanese.
000812886 650_0 $$aArts, Japanese$$xPhilosophy.
000812886 650_0 $$aArt, Japanese$$xPhilosophy.
000812886 7001_ $$aTreyvaud, Matt,$$etranslator.
000812886 7001_ $$aTakashina, Shūji,$$d1932-$$tWorks.$$kSelections.$$lEnglish.
000812886 7650_ $$aTakashina, Shūji, 1932-$$sWorks. Selections.$$tNihonjin ni totte utsukushisa to wa nani ka.$$bShohan.$$dTōkyō : Chikuma Shobō, 2015$$z9784480873842$$w(OCoLC)922307199
000812886 830_0 $$aJapan library (Shuppan Bunka Sangyō Shinkō Zaidan)
000812886 85200 $$bgen$$hBH221.J3$$iT3513$$i2018
000812886 909CO $$ooai:library.usi.edu:812886$$pGLOBAL_SET
000812886 980__ $$aBIB
000812886 980__ $$aBOOK