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Table of Contents
Cover; Half Title; Title page; Imprints page; Contents; Acknowledgments; Introduction: Readers and Machines in Modernist Novel Theory; The Problem with Reading; The Modernist Machine; Outline; 1 Point of View as Projector: Henry James, Percy Lubbock, and the Modernist Management of Reading; Defending the Novel against Consumption; Projection and the Moving Image; The Ambassadors, Ambiguity, and Cinematic Movement; 2 What Carries the Novel: Ford Madox Ford, Impressionist Connectivity, and the Telephone; The Crisis of Connected Thought and the "Intimate Conversation."
Impressionism and Telephonic ConnectivityThe Novel Moves; 3 "Every Age has been 'a Machine Age'": Wyndham Lewis and the Novel's Technological Temporality; The Art of the Ear and the Time of Technology; The Novel as Machine and the Reader as Operator; Satire Meets Utopia; 4 From Empathy to the Super-Cortex: Rebecca West's Technics of the Novel; From Empathy to Experiment; The Experiment as Modernist Form; Art and Technics; Post-Script: Modernist Technics; Conclusion: Novel Theory and Technology in Late Modernism; Readers and Machines in Leavis, Frank, and McLuhan; Notes; Introduction.
Impressionism and Telephonic ConnectivityThe Novel Moves; 3 "Every Age has been 'a Machine Age'": Wyndham Lewis and the Novel's Technological Temporality; The Art of the Ear and the Time of Technology; The Novel as Machine and the Reader as Operator; Satire Meets Utopia; 4 From Empathy to the Super-Cortex: Rebecca West's Technics of the Novel; From Empathy to Experiment; The Experiment as Modernist Form; Art and Technics; Post-Script: Modernist Technics; Conclusion: Novel Theory and Technology in Late Modernism; Readers and Machines in Leavis, Frank, and McLuhan; Notes; Introduction.