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000813094 020__ $$a9781299782426$$q(electronic book)
000813094 020__ $$a1299782426$$q(electronic book)
000813094 020__ $$a9780472029396$$q(electronic book)
000813094 020__ $$a0472029398$$q(electronic book)
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000813094 050_4 $$aML3531$$b.W546 2013eb
000813094 08204 $$a782.421649$$223
000813094 1001_ $$aWilliams, Justin A.
000813094 24510 $$aRhymin' and stealin' :$$bmusical borrowing in hip-hop /$$cJustin A. Williams.
000813094 260__ $$aAnn Arbor :$$bUniversity of Michigan Press,$$c2013.
000813094 300__ $$a1 online resource (xvi, 256 pages) :$$billustrations.
000813094 336__ $$atext$$btxt$$2rdacontent
000813094 337__ $$acomputer$$bc$$2rdamedia
000813094 338__ $$aonline resource$$bcr$$2rdacarrier
000813094 4901_ $$aTracking pop
000813094 504__ $$aIncludes bibliographical references and index.
000813094 5050_ $$aIntroduction -- Historicizing the breakbeat : hip-hop's origins and authenticity -- The construction of jazz rap as high art in hip-hop music -- Dr. Dre's "Jeep beats" and musical borrowing for the automotive space -- The martyr industry : Tupac Shakur, the Notorious B.I.G., and postmortem sampling -- Borrowing and lineage in Eminem/2Pac's Loyal to the game and 50 Cent's Get rich or die trying -- Conclusion -- Notes -- Bibliography -- Discography -- Filmography -- Index.
000813094 506__ $$aAccess limited to authorized users.
000813094 520__ $$a"Rhymin' and Stealin' begins with a crucial premise: the fundamental element of hip-hop culture and aesthetics is the overt use of preexisting material to new ends. Whether it is taking an old dance move for a breakdancing battle, using spray paint to create street art, quoting from a famous speech, or sampling a rapper or 1970s funk song, hip-hop aesthetics involve borrowing from the past. By appropriating and reappropriating these elements, they become transformed into something new, something different, something hip-hop. Rhymin' and Stealin' is the first book-length study of musical borrowing in hip-hop music, which not only includes digital sampling but also demonstrates a wider web of references and quotations within the hip-hop world. Examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others show that the transformation of preexisting material is the fundamental element of hip-hop aesthetics. Although all music genres use and adapt preexisting material in different ways, hip-hop music celebrates and flaunts its "open source" culture through highly varied means. It is this interest in the web of references, borrowed material, and digitally sampled sounds that forms the basis of this book--sampling and other types of borrowing becomes a framework with which to analyze hip-hop music and wider cultural trends."--Publisher's description.
000813094 588__ $$aDescription based on print version record.
000813094 650_0 $$aRap (Music)$$xHistory and criticism.
000813094 650_0 $$aHip-hop$$xHistory and criticism.
000813094 650_0 $$aAllusions in music.
000813094 77608 $$iPrint version:$$aWilliams, Justin A.$$tRhymin' and stealin'.$$dAnn Arbor : University of Michigan Press, 2013$$z9781299782426$$w(DLC)   2013006629
000813094 830_0 $$aTracking pop.
000813094 852__ $$bacq
000813094 85280 $$bebk$$hProQuest Ebook Central
000813094 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=3570489$$zOnline Access
000813094 909CO $$ooai:library.usi.edu:813094$$pGLOBAL_SET
000813094 980__ $$aEBOOK
000813094 980__ $$aBIB
000813094 982__ $$aEbook
000813094 983__ $$aOnline