000823383 000__ 03138cam\a2200481Ii\4500 000823383 001__ 823383 000823383 005__ 20230306143920.0 000823383 006__ m\\\\\o\\d\\\\\\\\ 000823383 007__ cr\mn\nnnunnun 000823383 008__ 170815t20182018nyu\\\\\ob\\\\001\0\eng\d 000823383 019__ $$a1001301969$$a1001323545 000823383 020__ $$a9781137502414$$q(electronic book) 000823383 020__ $$a113750241X$$q(electronic book) 000823383 020__ $$z9781137502407 000823383 020__ $$z1137502401 000823383 0247_ $$a10.1057/978-1-137-50241-4$$2doi 000823383 035__ $$aSP(OCoLC)on1001276358 000823383 035__ $$aSP(OCoLC)1001276358$$z(OCoLC)1001301969$$z(OCoLC)1001323545 000823383 040__ $$aYDX$$beng$$erda$$cYDX$$dN$T$$dEBLCP$$dN$T$$dOSU$$dOCLCF$$dAZU$$dUAB$$dU3W$$dDKU$$dSNK 000823383 049__ $$aISEA 000823383 050_4 $$aBJ320$$b.L69 2018eb 000823383 08204 $$a170$$223 000823383 1001_ $$aLowe, Brian M.,$$d1971-$$eauthor. 000823383 24510 $$aMoral claims in the age of spectacles :$$bshaping the social imaginary /$$cBrian M. Lowe. 000823383 264_1 $$aNew York, NY :$$bPalgrave Macmillan,$$c[2018] 000823383 264_4 $$c©2018 000823383 300__ $$a1 online resource (xxv, 323 pages) 000823383 336__ $$atext$$btxt$$2rdacontent 000823383 337__ $$acomputer$$bc$$2rdamedia 000823383 338__ $$aonline resource$$bcr$$2rdacarrier 000823383 347__ $$atext file$$bPDF$$2rda 000823383 504__ $$aIncludes bibliographical references (pages 303-316) and index. 000823383 5050_ $$aEmergence of Spectacles -- Spectacular theory -- Building spectacles through bricolage -- Spectacles of power and the power of spectacles -- Sepctacular locations -- Spectacular representations -- Spectacular animals -- Conclusion -- Coda: The election of Donald J. Trump as spectacle. 000823383 506__ $$aAccess limited to authorized users. 000823383 520__ $$aThis volume considers the rise of a new mode of creating, spreading, and encountering moral claims and ideas as they are expressed within spectacles. Brian M. Lowe explains how spectacles emerge when we are saturated with mediated representations—including pictures, texts, and videos—and exposed to television and movies and the myriad stories they tell us. The question of which moral issues gain our attention and which are neglected increasingly relates to how societal concerns are supported—or obscured—by spectacles.  This project explores how this new form of moral understanding came to be. Through a series of case studies, including the use of radio and comic books; the crafting of Russian national identity through art; television and film; the evolution of human rights law through film and journalism; and the promotion of animal rights campaigns, this book unveils some of the ways in which our spectacular environment shapes moral understanding, and is in turn shaped by spectacle. . 000823383 588__ $$aDescription based on print version record. 000823383 650_0 $$aEthics. 000823383 650_0 $$aMass media$$xMoral and ethical aspects. 000823383 77608 $$iPrint version:$$aLowe, Brian M., 1971-$$tMoral claims in the age of spectacles.$$dNew York, NY : Palgrave Macmillan, [2018]$$z1137502401$$w(DLC) 2017944717$$w(OCoLC)988284091 000823383 852__ $$bebk 000823383 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-50241-4$$zOnline Access$$91397441.1 000823383 909CO $$ooai:library.usi.edu:823383$$pGLOBAL_SET 000823383 980__ $$aEBOOK 000823383 980__ $$aBIB 000823383 982__ $$aEbook 000823383 983__ $$aOnline 000823383 994__ $$a92$$bISE