000824511 000__ 03319cam\a2200529Ia\4500 000824511 001__ 824511 000824511 005__ 20230306144125.0 000824511 006__ m\\\\\o\\d\\\\\\\\ 000824511 007__ cr\cn\nnnunnun 000824511 008__ 171118s2018\\\\sz\\\\\\obk\\\001\0\eng\d 000824511 019__ $$a1011681280 000824511 020__ $$a9783319660417$$q(electronic book) 000824511 020__ $$a3319660411$$q(electronic book) 000824511 020__ $$z3319660403 000824511 020__ $$z9783319660400 000824511 0247_ $$a10.1007/978-3-319-66041-7$$2doi 000824511 035__ $$aSP(OCoLC)on1012342993 000824511 035__ $$aSP(OCoLC)1012342993$$z(OCoLC)1011681280 000824511 040__ $$aEBLCP$$beng$$epn$$cEBLCP$$dYDX$$dN$T$$dOCLCQ$$dAZU$$dUAB$$dMERER$$dCDN$$dOCLCQ$$dCDN$$dFIE$$dU3W$$dUWO$$dDKU$$dSNK$$dOCLCQ 000824511 049__ $$aISEA 000824511 050_4 $$aPN3433.5$$b.S74 2018eb 000824511 08204 $$a809.3/8762093529$$223 000824511 1001_ $$aSteinskog, Erik. 000824511 24510 $$aAfrofuturism and black sound studies :$$bculture, technology, and things to come /$$cErik Steinskog. 000824511 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c©2018. 000824511 300__ $$a1 online resource (viii, 241 pages). 000824511 336__ $$atext$$btxt$$2rdacontent 000824511 337__ $$acomputer$$bc$$2rdamedia 000824511 338__ $$aonline resource$$bcr$$2rdacarrier 000824511 347__ $$atext file$$bPDF$$2rda 000824511 4901_ $$aPalgrave studies in sound 000824511 504__ $$aIncludes bibliographical references, discography, and index. 000824511 5050_ $$a1. Introduction: afrofuturism and black sound studies -- 2. Blackness, technology, and the changing same -- 3. Space and time -- 4. Vibrations, rhythm, and cosmology -- 5. Interstellar space, outer space and inner space -- 6. The sounds of the future -- 7. Conclusion: new suns/sounds -- Discography -- Bibliography -- Index. 000824511 506__ $$aAccess limited to authorized users. 000824511 520__ $$aThis book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective. The sounds of Afrofuturism are deeply embedded in the speculative - demonstrated in mythmaking - in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future. This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies. 000824511 588__ $$aDescription based on print version record. 000824511 650_0 $$aScience fiction$$xSocial aspects. 000824511 650_0 $$aAfrican Americans$$xRace identity. 000824511 650_0 $$aScience fiction films$$xInfluence. 000824511 650_0 $$aFuturologists. 000824511 650_0 $$aAfrican diaspora$$xSocial conditions. 000824511 77608 $$iPrint version:$$aSteinskog, Erik.$$tAfrofuturism and black sound studies.$$dCham, Switzerland : Palgrave Macmillan, [2018]$$z3319660403$$w(OCoLC)994693947 000824511 830_0 $$aPalgrace studies in sound. 000824511 852__ $$bebk 000824511 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-66041-7$$zOnline Access$$91397441.1 000824511 909CO $$ooai:library.usi.edu:824511$$pGLOBAL_SET 000824511 980__ $$aEBOOK 000824511 980__ $$aBIB 000824511 982__ $$aEbook 000824511 983__ $$aOnline 000824511 994__ $$a92$$bISE