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000824519 019__ $$a1011681683
000824519 020__ $$a9783319647104$$q(electronic book)
000824519 020__ $$a3319647105$$q(electronic book)
000824519 020__ $$z9783319647098
000824519 020__ $$z3319647091
000824519 035__ $$aSP(OCoLC)on1012343139
000824519 035__ $$aSP(OCoLC)1012343139$$z(OCoLC)1011681683
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000824519 043__ $$ae-uk---
000824519 049__ $$aISEA
000824519 050_4 $$aHE8697.95.G74
000824519 08204 $$a384.540650941$$223
000824519 1001_ $$aStoller, Tony,$$eauthor.
000824519 24510 $$aClassical music radio in the United Kingdom, 1945-1995 /$$cTony Stoller.
000824519 264_1 $$aCham :$$bPalgrave Macmillan,$$c2018.
000824519 300__ $$a1 online resource (305 pages)
000824519 336__ $$atext$$btxt$$2rdacontent
000824519 337__ $$acomputer$$bc$$2rdamedia
000824519 338__ $$aonline resource$$bcr$$2rdacarrier
000824519 504__ $$aIncludes bibliographical references and index.
000824519 5050_ $$aChapter 1. Introduction: The music we are accustomed to call classical -- Chapter 2. The Forties: A pyramid of taste -- Chapter 3. The Fifties: Defending the elite -- Chapter 4.  The Sixties: Simple and conservative tastes -- Chapter 5. The Seventies: Breaking the monopoly -- Chapter 6. The Eighties: Keeping the Philistines at bay -- Chapter 7. The Nineties: Saga louts and dumbing down -- Chapter 8. Conclusions: Engaging on equal terms? -- Appendices -- Bibliography -- Index.
000824519 506__ $$aAccess limited to authorized users.
000824519 520__ $$aThis book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.
000824519 588__ $$aOnline resource; title from PDF title page (viewed December 7, 2017).
000824519 650_0 $$aRadio broadcasting$$zGreat Britain.
000824519 650_0 $$aRadio and music$$zGreat Britain.
000824519 77608 $$iPrint version: $$z3319647091$$z9783319647098$$w(OCoLC)992786522
000824519 852__ $$bebk
000824519 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-64710-4$$zOnline Access$$91397441.1
000824519 909CO $$ooai:library.usi.edu:824519$$pGLOBAL_SET
000824519 980__ $$aEBOOK
000824519 980__ $$aBIB
000824519 982__ $$aEbook
000824519 983__ $$aOnline
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