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000824857 020__ $$a9783319694993$$q(electronic book)
000824857 020__ $$a3319694995$$q(electronic book)
000824857 020__ $$z3319694987
000824857 020__ $$z9783319694986
000824857 035__ $$aSP(OCoLC)on1013820785
000824857 035__ $$aSP(OCoLC)1013820785
000824857 040__ $$aYDX$$beng$$cYDX$$dN$T$$dAZU$$dOCLCF$$dUAB$$dMERER$$dOCLCQ$$dMCW$$dU3W$$dSNK
000824857 049__ $$aISEA
000824857 050_4 $$aQA76.575
000824857 08204 $$a006.7$$223
000824857 1001_ $$aFavero, Paolo S. H.
000824857 24514 $$aThe present image :$$bvisible stories in a digital habitat /$$cPaolo S.H. Favero.
000824857 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018]
000824857 300__ $$a1 online resource.
000824857 336__ $$atext$$btxt$$2rdacontent
000824857 337__ $$acomputer$$bc$$2rdamedia
000824857 338__ $$aonline resource$$bcr$$2rdacarrier
000824857 4901_ $$aPalgrave pivot
000824857 504__ $$aIncludes bibliographical references and index.
000824857 5050_ $$a1. Introduction: Present Images -- 2. Participated Images -- 3. Immersive Images -- 4. Material Images -- 5. Images of Living and Dying.
000824857 506__ $$aAccess limited to authorized users.
000824857 520__ $$aThe Present Image explores the world of images in the contemporary, increasingly digitized, habitats of the world. Moving across a theoretical spectrum that brings visual and digital culture in touch with anthropology, political theory, phenomenology and art-history, and based on the author’s practice-based involvement with images, the book argues against the idea of the digital as a revolution in the world of images. “Present images” are the result of a dialectic between the material and the immaterial, the manual and the mechanical, the visible and the audible, the old and the new. Offering an analysis containing simultaneously elements of timeliness and timelessness, the book addressed practices such as VR and 360 degrees, iDocs and action cameras in a dialogue with classical art, religious iconography, early photography and contemporary art. In the final chapter the book explores the significance of images and image-making in the context of dying, mourning and living.
000824857 588__ $$aVendor-supplied metadata.
000824857 650_0 $$aDigital media.
000824857 650_0 $$aVisual anthropology.
000824857 77608 $$iPrint version:$$z3319694987$$z9783319694986$$w(OCoLC)1005126032
000824857 830_0 $$aPalgrave pivot.
000824857 852__ $$bebk
000824857 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-69499-3$$zOnline Access$$91397441.1
000824857 909CO $$ooai:library.usi.edu:824857$$pGLOBAL_SET
000824857 980__ $$aEBOOK
000824857 980__ $$aBIB
000824857 982__ $$aEbook
000824857 983__ $$aOnline
000824857 994__ $$a92$$bISE